Super happy to have my poem “Feedback” in Poetry magazine. It is part of my manuscript The Green Monk, forthcoming from Boiler House Press in November 2018. It was composed while ingesting everything written by the great Lydia Davis. I can’t help wondering if some of her approach to writing leaked in there, but also other writers of course, there are always others, and also whatever was happening around me, the influences, how can we frame them. What is influence anyway? It accrues and accrues, but does it disappear? Who gets to decide who is influenced by whom? Readers feel some influence of maybe something else they have read or watched or experienced, the writer feels the influence of some writers. We need an audience to hold up the mirror. And also the artist is a mirror. We are all mirrors reflecting each other’s influences. Of course art, like everything, never occurs in a vacuum, it is interdependent. You can choose how you want to frame the influences. Forget about the isolated romantic genius. Originality is a collaging of influences.

It seems maybe there is red hot writing and there is cool writing, and then there is lukewarm. Or maybe a better way to think of it is some distance. This poem “Feedback” has some distance, via the style and framing of feedback, although the content has some fire, some lyricism. It was partly collaged from feedback on a friend’s slipstream novel in progress. William May and I met in Greensboro, North Carolina, during our days in the MFA programme, and have kept in touch, on and off, since 2005. His novel in progress is a nomadic surrealist journey, with many great mysteries. Without worrying about creating a poem I collaged some of the feedback I wrote for his novel, added some more layers, allowing for some chance operations, and called it feedback.

Isn’t feedback a kind of influence. I am also thinking of feedback in terms of sound.  That rumbling, whining, or whistling sound resulting from an amplified or broadcast signal (such as music or speech) that has been returned as input and retransmitted. As in a feedback loop. Our brains are a feedback loop. How do we get out of the loop. That wheel of samsara, as Buddhists call it. And what about the connection between the inside and outside. We have a brain. It goes and goes. And also there are various stimuli happening outside of us, all around us. What do we do with it? Does all it get in there, either into the so-called conscious or unconscious brain. The surrealists, inspired by the breakthroughs of Freud, wanted to tap into the unconcious and create a holistic person. It was an optimistic avant garde movement. How many layers does it take to get to the centre of the onion. I don’t know what is behind our layers, or our words.

“Feedback” is out there in the world now, echoing, maybe reverberating with all the other sounds of poetry, and I hope some folks find some use with it. I hope the words are touchstones for the creation of a reader’s journey.

And yet, how much time do we have, really, to read words. It is my main activity, in terms of my art and life, and yet I get so tired of them. These words. They are never enough.