Never Mind the Beasts

Website of surreal-absurd writer Marcus Silcock

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    MY NEW BOOK AVAILABLE FOR PRE-ORDER NOW FROM POOR CLAUDIA. SUPER EXCITED. THEY MAKE SUPER HANDSOME HANDMADE LIMITED EDITIONS.
    Part of my nomadic surrealist life project.
    No name but love, indeed, for Marcus Slease, in this exciting collection of small, surprising, lyrical poems which continue (very nicely, thank you) the ideas and methods of such poets as Clark Coolidge in At Egypt, Phil Whalen in Scenes of Life at the Capital, and Roy Kiyooka in Kyoto Airs. The writer’s eye & his heart remain open throughout this book, the language is clean, clear & refined, and one comes out exhilarated both by what Slease sees & by the way that he says it. In a world of spam (to paraphrase the author) he gives us (good) ham. With a big side of kimchee. Reader, read on! Because Mu! So! –in Japanese = Emptiness! Yes! 

    – Tim Atkins (author of Petrarch)
    Marcus Slease’s Mu (So) Dream (Window) lets in haunting landscapes where bodies and locations are in constant motion, dissolving and precipitating, presence and absence following each other’s shadow: The foreign desert is encountered by its sand blowing through a muted city, delivery food and Rumi are found left on the doorstep, the taste and warmth of “you” are dissolving on the tongue. Here, writing becomes an act of tracing, in which all presences are intensified in their muted, bodily foreignness. 
     
    – Jiyoon Lee (author of IMMA) 
     
     
    This poetry has seen a lot, has seen the world, but it catapults onward unjaded, grimy/sparkly, “huffing life.” If poetry is throught [thought/through/through it/rough/route/wrought] then Marcus Slease is on its tube train and he’s pulling out the stops, he’ll “unlatch/the room” you read in. 
    Cathy Wagner (author of Nervous Device)

     

  • getting a bit tired of blogger . . .

    here is the new home for the foreseeable future . .

    THE HOUSE OF ZABKA:

    http://marcusslease.tumblr.com/

  • Grab everything by Wroblewski. One of the best, if not the best, Polish poet writing today. He is also a fab painter, writer of plays and fiction.

    His book about experiences in Copenhagen is being translated and will be available next year from a U.S. publisher. MORE DETAILS WHEN I GET ‘EM . . .

    YES!!! MORE! MORE!

  • One of my favs . . Zachary Schomburg:

    http://lovelyarc.tumblr.com/

  • an interesting new confessionalism . . along with Thought Catalog . . Tao Lin . . Miranda July etc.

    grab yr shabby dolls:

    http://shabbydollhouse.com/SHABBY-DOLL-HOUSE

  •  if you spend too much time hunting down interesting fiction and poetry on the internet this is the portal to take you to good places:

    http://neatomosquitoaltlitfireworksshow.tumblr.com/

  • My new flash fiction “The Cows Said Mu” now up at Thought Catalog:

    http://thoughtcatalog.com/2012/the-cows-said-mu/

  • Pank magazine . . the queer Issue . . rockin . .

    pank magazine

  • This guy rocks!!!!  He has a new book from coming from Housefire Books. Gonna def get it:

    http://housefirebooks.com/bodies-made-of-smoke-a-novella-by-j-bradley/

  • love this project. Art as a means of connecting. Simple and complicated. Accessibility in all the right places.

     Getting tired of the celebration of alienation in art!!

    Miranda July – Pretty Cool People Interviews from Submarine Channel on Vimeo.

  • supposed to be grading student composition essays but drinking chai tea, listening to Susumu Yokota and reading the latest issue of NAP: http://naplitmag.com/issues/nap2_11/barbour.html

    Also just ordered The Snow Poems by Janey Smith from NAP. YEAH NAP!

  • Imma by Ji Yoon Lee 

    the good of gruel . . the goo of the gruel . .  cute as a button . . kneebiters as prom queens . .  conglomerate prostitution . . language of all shapes and sizes . . yep yep  . . Stephen Hawking and his Lou Gerig’s diet. . . mongrel matings . .ahoy . . diet cokes and tapeworms . . the rug that was . .

    it hopped me up on the underground and I’m gonna ride that train  . many more times . . Radioactive . . Press . . YES!

    Sexing the Cherry by Jeanette Winterson

    I like the nine dancers and the big fat protagonist. I like nine. I like nine errors and Linus Slug. I am now writing a chapbook reworked from 2008 and it’s all because of the nine. The new chapbook is called The Circle Line. Nine line poems. Each poem a different station on the circle line. Using bits of Dante. And lotsa other sources. There are nine circles of hell too. 3 sets of trinities. The third gender three times. And the third way with three different people. Nine. Don’t we all love a good nine. Thank miss Jeanette Winterson who hid books under her bed cause as a child she was only allowed books bout the bible and such . . love live nine . . and Jeanette Winterson  ..

    Airplane Food by Gabby Gabby

     I love the gab of this gabby. This gabby gabby. 23 yr old California males and 19 yr old Virginians to kick start . . Jack Kerouac.. joints . . the thumbs . . I see a lot of thumbs . . it feels like nostalgia . . but it’s too flighty . . the welcome signs are pay per use scales . . a Jay Z look-alike. . . depression for dummies . .  Tao Lin but not Tao Lin . . all the buttons on his wee shirt gone. . Spring . . stein . . at Dunkin Donuts . . a warm pool of vomit . .

  • excerpt of one of my novellas in progress over at Metazen.

    It starts with a mysterious snorting.

    The horny toads are the suitors . . you just have to get past their horny exterior and then its clean sailings . .

    http://www.metazen.ca/?p=11170

    Also got in the post today:

    1) Light Boxes by Shane Jones:

    http://www.youtube.com/watch?v=zlrSpwDHtPo

    (might get Daniel Fights a Hurricane as well:daniel fights a hurricane)

    2) Airplane Food by Gabby Gabby

    http://gabbygabbypoetry.com/

    3) Lost in Cat Brain Land by Cameron Pierce

    http://www.amazon.com/Lost-Brain-Land-Cameron-Pierce/dp/1936383047

    Can’t wait to dig in!!!!

  • Nouns of Assemblage from Housefire Books arrived in the post today and I am a very happy fella. Been reading it on the tube. I kind of gave up on fiction after finishing my BA in English. But here it is. Fresh for me again.

    All the best of kick ass poetry and fiction and the absurd and bizarro and the more than real surrealism etc. etc.

    Also ordering some of the books from the authors included in Nouns of Assemblage. Just ordered Lost in Cat Brain Land by Cameron Pierce. Also going to order A Cloth House by Joseph Riippi.

    Grab a copy . .  and wake up! Portland indie presses have the goods!

    http://www.amazon.com/NOUNS-ASSEMBLAGE-Riley-Michael-Parker/dp/1937395006/ref=sr_1_1?ie=UTF8&qid=1351369152&sr=8-1&keywords=nouns+of+assemblage

  • from Heriberto Yépez  for his weekly column at the Mexico City magazine Laberinto (translated from Spanish by the poet Guillermo Para):

    “Generally, unsubmissive foreigners are not translated and instead marketable or functional foreigners are chosen. We translate what is exemplary. What serves as an example of something we want to make visible in our own culture.”

    This very true. A good example of this, I think, is Seamus Heaney. Widely translated as a poet that exemplifies and conforms to notions of Irishness from 19th century etc. etc.  The same could be said for awards (noble prizes, pulizer prizes). The awarding of awards to safe literature is especially true on this small provincial island. But There are very rare notable exceptions to this. But most of the best and brightest and most interesting fiction and poetry is not translated or give awards.

    So you have to look. Dig. And that’s OK. The same often goes for the most interesting music and so on.

    And there are notable exceptions. Action Books especially!!!

    Check out Guillermo Para’s post over here: http://venepoetics.blogspot.co.uk/2012/10/los-peligros-del-traductor-heriberto.html

  • i am thinking of little furry animals on hovering aircrafts gliding through trees . .

    i am thinking of sincerity versus authenticity

    and prefer authenticity

    or authenticity as main dish

    and sincerity as an afterburp

    I am thinking of e-books and how to make the most of my new wok

    while reading all these kick ass e-books over at NAP:

    http://naplitmag.com/echapbooks/echapbooks.html

  • guess everyone needs to take a turn . . Department Books has some interesting stuff on the island . . onedit was the best magazine I have seen from the island . .  and Mendoza is putting together a nice book of poems for a reading this week . . poems for Sonic Youth . . and that’s good . . very good . . and Steven Fowler kicked it up a notch . . a big notch . . and the Openned series . .now sadly gone . .  and of course xing the line . . the main reading series in London for anything remotely interesting . . . I guess I am just wondering why London seems to lag behind virtually all mega cities for indie publishing and music . . maybe I am wrong . . maybe I just haven’t looked hard enough .. .  of course there is plenty of interesting things to write with or about . . plenty of that . . and some good peeps .  some great peeps. . . maybe things get gentrified ultra fast here . . east London is a stale stale stale centre of hipsters and unimaginative artists and writers and politics . . Brick Lane is the centre of staleness . . there are more interesting things in Ealing Broadway than Brick Lane and that’s not saying much . . . the forward prize rewards the most uninteresting safe stale writing on the island . . salt publishing publishes the most boring stale fiction and poetry on the island and then asks for money to keep them afloat and all the writers they published send them money to keep their stale boring ass writing afloat in a sea of mediocrity . . that’s the buzz word on the island . . mediocrity . . LONG LIVE MEDIOCRITY ON THE ISLAND . .  is it the rain . . is it the pubs with stale carpet . . is it the black mould . . is it the poor blood circulation . . is it M. Thatcher . . is it D. Cameron . . is it the puppetmaster Boris J. . . is it too many very very bad pork pies . . it’s not the curry . . oh no . . it’s not that . . the curry is to die for . . .

  • Very very few places I go for consistently interesting kick ass poetry . . . Poor Claudia is one of them . .  check out the latest Amling Crush . . . diggin this Amling . . but right now I am on a loop with “Self Satisfied Vanity” . .

    What is it with Portland. For fiction, poetry, indie music and publishing. Bizarro fiction etc. etc. It’s the new mecca. Forget new NY! And def forget London! Been searching and searching in London for anything close to the energy of the indie presses and music of Portland . .  coming up dry . .. there are a handful of poets on this tiny island with kick ass poetry . . and those handful are writing as great as any kick ass poetry in the big old lands of the USA and Berlin . . but as a whole . . . the energy . . the playfulness . . . sterility is the order of the day in London . . .  in fiction too . . the booker prize . . the orange prize . .. the yellow prize . . . the blue prize . . the costa coffee prize . . . stale stale stale stale stale stale stale . . and music . . well a few ok bands . . but again far far behind USA, Germany, France, Poland . . . . not that it’s a race . .. or a national competition . . it’s not the bloody olympics . . .it’s not that . .  no I mean do something interesting . . please please WAKE UP LONDON . . . and no one seems to know how to make nice looking books anymore . . I’ve seen books from the 70’s coming out of London and they were gorgeous . .  some energy in Manchester . . . some potential . . . but London is way way way way behind the times in fiction and poetry . . ok . . there is Jeanette Winterson . . she’s good . . . sort of a UK Aimee Bender . . or not quite . . but mining the same territories of fairy tale myth and so on . . I like Aimee Bender and Jeanette Winterson . .  I love George more . . George Saunders . . . a few good things to steal from them . . and Jeff Hilson and Tim Atkins for poetry here on this very very very small island . .  a few others quite good . .  maybe one handful . . .plus the Manchester poets . . north beats south on this tiny island . .  not that it’s a competition . . no no no . . it’s not north versus south . . or east versus west . . . or England versus Wales . . no no no . . but maybe someday London will shake itself loose from the pre-modernist era in poetry and speak in the language(s) of the 21st century . . NOW  . .

    speak poetry speak . . .

    http://www.poorclaudia.org/crush_amling.php

     

  • Enjoying some of the poems and videos of Gabby Gabby. Just ordered her Airplane Food from NAP:

    http://naplitmag.com/store.html

    Reading Tao Lin’s Cognitive Behavioral Therapy as well.

    http://heheheheheheheeheheheehehe.com/

    And Diana Salier’s Letters from Robots

    http://nightbombpress.com/

     

    Both highly recommended. I am hoping Gabby Gabby’s Airplane Food will be fab fab as well. Liked what I read at 3:AM and her videos and such:

     

    Here are some of her poems in 3AM magazine:
    Video poems and links and such over at her webpage:

    Seeing connections between them. And the films of Miranda July. A shared aesthetic. Of course all very different artists, writers, poets  as well.

    Very spare minimalism. Powerful for me emotionally because of the over-saturation and manipulation of emotions via advertising/media/film/realist novels etc.

    A hyper-realism sometimes . . perhaps . .  and therefore surreal . . a new surrealism framed by current conditions of 21st century living. What does that mean? 21st century living? HA! Something I can quite articulate because there are too many variables. But also something there there.

    A honest absurdity in their work? authentic? Can we use that word? Authentic?

    I can’t connect to pure poetry pure art pure music. Maybe a little. But not much. There is a disconnect between how I experience and move in the world and pure anything. I have always been drawn to the impure and its beauties.

    And cognitive behavioral therapy for all . . .

  • For the past three months or so I have looking at/for innovative fiction. And writing it.  Especially hybrid fiction. Somewhere between poetry and prose. And so far my favourites have been Mud Luscious Press (esp their imprint Nephew) and Fugue State Press. I found Fugue State Press this morning and ordered two books but I want everything in their catalog. Simply amazing!!! So happy. Another world has opened up for my writing. Writing as possibility.

    check out Fugue State Press and buy everything everything everything. The work is unlike anything I have ever read. I am a new born babe again. YES!!

    http://www.fuguestatepress.com/cat.html

    (pic from the legendary record label Fugue State: http://www.jeremyriad.com/blog/art/3d/art-multiples/fugue-state-records-concept-project-by-abe-lincoln-jr/)

  • Nice clear headed interview here with fiction writer Brian Evenson. Makes me wanna get one of his books. I am working through my mind/body split. Working through this delusion via writing.

    http://htmlgiant.com/random/what-is-experimental-literature-five-questions-brian-evenson/

  • A nap is a nap and I love a good nap

    http://naplitmag.com/

    I am off to take a nap with my terrifying angels with many headed friends . . .

  • This is a one stop shop for some mighty fine reads. It gives me hope for the move from print to web reading. At some point I may even get one of those portable devices . . although I will still read print . . I think . .  forever and ever . . but maybe not . .
    check out Hobart  . . it will be one of my daily stops . . . on my web travels . . . from now on . .
  • terrific political allegory over here . .. America as a naive female in love with power and the idea of a dictator ..  really interesting story: http://www.dzancbooks.org/the-collagist/2012/9/9/lady-liberty.html

  • Housefire lights my fire . . over and over and over again . . check out Ugly Mouth:

    ugly mouth

    (painting by one mr michael j trull)

  • Do you know Białooka? A Polish fairy tale. With a nod to Camus. Come meet her over here at Metazen:

    http://www.metazen.ca/?p=11167

  • “Darkness will become a straight line, even if you don’t intend it to.”

    check out “The End of Time.” A flash fiction over at Housefire Magazine:

    “The End of Time” by Brian S. Ellis

  • thanks Steven Fowler  . . . and thanks Poetry International . . and 3AM Magazine . . .

    smashing time

  • flash fiction  . . interviews . . . the best new small press poetry and fiction . .  great resource:

    http://dogzplotnews.blogspot.co.uk/

  • lovin this  . . . got a bit of everything . . rubbin me in all the right wrong ways . . .

    check it check it check it . . .

    mighty fine with a good ale . .

    keep this bag away from children

  • listening to Ted Berrigan on public access poetry . .  oh yeah . . .

    wish there was a poetry project in London!!!!!!!!!!

    public access poetry

  • fascinating article here . . privatisation . . the new packaged as the old . . the big breakthrough . .

    ahhh yes . . .

    well written . . . on point . . . some very significant poets and writers from Poland waiting in the wings to pack a wallop . . .  . . Grzegorz Wroblewski is one of them . .

    check out the article here:

    Nothing Happened – But it Will! Waiting for a Breakthrough in Polish Literature

     

  • delighted . . no more than delighted . . thrilled . ..  . . stoked beyond words . . . to have Mu (dream) So (Window). . . surreal poems written while living in South Korea . . . forthcoming from one of my favourite presses . . .

    poor claudia

  • Birds LLC and So and So magazine and reading series have joined forces . .. yippie . . . one of my favs

    check out the latest issue of So and So magazine . .

    so and so magazine

  • good before sleep or upon waking . . brings you to both sides of the mind . . . check it out . . .

    Pioneer by Horsebladder

  • switched to writing short stories the last couple of months . .  . . interlinking short stories . . . I’ve written four of them . . . the short story collection is called (currently) Hot Chocolate on Bad Coffee . . some of the stories centre around being an immigrant in America  . . others are absurdist stories based in South Korea, Turkey, and Poland . .

    starting a novel as well . . .

    a couple of large notebooks full of material to work with . .

    back to writing . .

  • very very happy to be included in this issue . . .check it out . . some cool poetry in there . .

    so and so magazine

  • Must clean my muddy boots. Leave tomorrow. .

    Been working on flash fiction and short stories from travel experiences.

    Slowly getting back to poetry.

    Think these Polish mountains with my hot gal shd freshen things up . .

    Image

     

  • check out the new minimalist blog:

    The New Never Mind the Beasts

     – – – –

    think I will keep posting here though . . .

  • Another nice publication from Spork publications. Poems from my manuscript The Fertility Show.

    Written while riding the London tube on my daily commute.

    Thank you so much to the fine editors at Spork!!! Yippie!!

     

    http://sporkpress.com/poetry/?p=387

  • Another nice publication from Spork publications. Poems from my manuscript The Fertility Show.

    Written while riding the London tube on my daily commute.

    Thank you so much to the fine editors at Spork!!! Yippie!!

    from The Fertility Show

  • The poems in Tim Van Dyke’s “Light on the Lion’s Face” are composed in conjunction with Jean Baudrillard’s book, “Seduction”, often using fragments from the text as architecture for the poems. The other two architectural concepts are the Shivite myth of Kīrttimukha (or “Face of Glory”), a story about a ravenous lion eating its own body, and the stylistic renderings and fragments of Aime Cesaire. Tim Van Dyke uses these three points of departure to fashion a new sensibility about the body, love, seduction, society, and the continued relevance of myth and ritual.

    light on the lion’s face

  • I am the new CRUSH over at Poor Claudia. A huge thank you to Poor Claudia. The editors did an absolutely stellar job. I am a very very happy camper. Check it out here:

    http://www.poorclaudia.org/crush_slease.php

  • I am the new CRUSH over at Poor Claudia. A huge thank you to Poor Claudia. The editors did an absolutely stellar job. I am a very very happy camper. Check it out here:

    CRUSH

  • come on out if you around. Some fun collaborations happenin . . it’s The Camarade Project Edition 3. I am reading some collaborative work with Richard Barrett. Quite a line up!!!

  • Persian poet Hafez Shirazi’s ghazal reworked by the fab Michael Zand. In super slow mo. The NY School is there too. Check it out: http://soundcloud.com/michael-zand/before-bitterness

  • It has warmed a lot in the last two days in London.  People are sitting around on the grass and even this rougher section of London feels lighter.

    I’ve taken things very slowly since the news of my brother’s death. I needed that slow time. Today was the first day where I got some speed. But I continued to practice mindfulness in my teaching, walking, sitting.

    I am not always at peace. I am watching my mind. My mind has taken drastic measures in dreams. My dreams are often of decapitation. This is one of my stress dreams. Usually a sword or an axe and headless bodies.

    I am always waiting for my turn.

    Sometimes my turn is delayed. There is a sense of reprieve. I never want to die in my dreams.

    I also get these dreams when I lose communication with my body.

    For example, I had a string of decapitation dreams when I was in grad school studying Derrida and deconstruction. I had to touch the trees in Bellingham, Washington and repeat a mantra. The mantra was: “This is NOT a text.”

    I also get daydreams of decapitation. This is when I feel alienated or disconnected from my surroundings. But unlike my night dreams it is more like a head functioning without the rest of the body. I find myself asking WHAT IS THAT BRAIN. AND THAT ONE. AND THAT ONE.

    In other words I see a bunch of brains walking around. I do not see the rest of the body.

    Some of this comes about when I hear stories of brain injuries or brain impairments and how it changes the person completely (what we think of as personality and so on).

    I guess it scares me to think: I am my brain.

    I want to be more than my brain or my head.

    When I am more than my brain (which is another of saying balanced) I am erotic, sensual, reflecting, calm etc. etc.

    I like sex.

    The brain gives me all the good signals to tell me I like sex. But it needs the rest of my body too.

    This is all to say I was born with a mind/body split. Maybe you have one too?

    It is in a lot of western culture. Maybe other cultures too. A part of the fear of death.

    I was taught I have a spirit. I imagined when I did something wrong my translucent spirit gets black dots. Kind of like a diseased lung.

    So we have a spirit that is not our body. But maybe looks like our body. I am not sure if the spirit changes like our body to look like our body and when we die we inherit how we looked when we died and become that look as a spirit forever and ever.

    If that were the case we might think it best to die young. At our peak. Whatever that may be.

    That stopped making sense to me in my early 20’s.

    Or there is the idea of energy. This comes from the east and is the only thing that makes sense to me now.

    The idea that when we die we are like a drop of water returning to the sea.

    In other words you lose your individuality. You become part of the whole. Whatever that whole may be.

    There are speculations upon speculations about death. Metaphysics.

    I have no idea.

    I do know I want to experience peace and joy while I am here. And my mind and body are best served when I see them clearly as one.

    In order to see and experience them as one I need mindfulness practice.

    And it is just as it sounds. A practice. Always a practice.

  • Do we know what we feel? Behind the scenes playing all the time. In the social, political, and personal.

     . . . . . . . . . . . .

    Last night I had dreams of my friend Andrew coming to visit. I was supposed to pick him up from a ferry. I never got to the ferry crossing. Aaron was supposed to come with my friend. Andrew had to cross many lands in an old truck to make it to the island. I was living on a island full of rum.

    When Andrew showed up he was in a beat-up fruit truck. Aaron was stuck on a ferry somewhere crossing who knows what river.

    I jumped in Andrew’s beat up truck. The island became a desert. I said this reminds me of America and he said yeah I know.

    We drove around. Kicking up dust.

     . . . .  . . . . . . ..

    Yesterday was the funeral for my brother Aaron. It was also Bloomsday. A celebration of Irish culture and literature.

     . . . . . . .  . . . ..

    When does freedom become a prison and vice versa? When does Dionysian frenzy become a hell? Or Apollonian order become a slow death of personal or collective fascism?

    ………………………….

    Soup is cooking in the crockpot. Crockpot reminds me of crack pot. There is everything in the crock pot. Pounds and pounds of various veggies of various colours mixed with gravy. It will cook for many hours becoming something.

    ………………………………

    The sun is out in London. Clouds are rumoured to return in the afternoon. My flat is cold. It is almost always cold. For 3 days in the last year it wasn’t cold. It is time to put on my hat.

    ……………………………………

  • Is hope a form of expectation?

    My expectations have often led to suffering. Whether the next new country or relationship. Or planning a lesson for a spectacular class only to have it fail miserably. And then the letting go. Almost tricking myself into believing I don’t really care and then WHAM! A surprisingly great class. An amazing time out and about. An interesting time in a foreign country wandering around.

    This letting go is also a kind of opening.  An expansive mind. An expansive writing practice.

    This, for me, can come from meditation, and also reading poetry, but mostly a certain kind, like Frank O’Hara. And other NY School poets. But also others.

    There seems to be various ways of letting go. Letting go in a skilful way. Not indifference or apathy but less clinging again. less clinging to the hoped for result.

    So maybe it is not the hope. How can we live and enjoy life without some form of hope? Or maybe that needs further exploring. What hope even means.

    But I do know I suffer when I cling to an expected result.

    This also jives with why I write and read poetry.

    The process. The path. The journey.

    But!!!

    If we don’t have some notion of a pattern. Some notion of what to expect based on previous experiences we can’t really make choices right? So it can’t be all in process. All goalless.

    I am sure many people experience that feeling of effortless effort. Being in the zone. That is one of my favourite feelings while writing. Not struggling. I guess part of that entails also letting go of perfection. But it also takes practice. That worn out example of a jazz riff. Or today’s DJ mixing/meshing on the spot. Some say 10 years of steady practice before improv or going on your nerve can lead to this effortless effort. Or maybe longer.

    It seems it would take a lifetime or lifetimes to get to that point in all things.

    Somehow I often get stuck between clinging and caring too much (what other people think of me as a person or a poet or a teacher etc.) and pretending I don’t care in order to let go. Social anxiety usually comes with anticipating the event. Once I am in the event I rarely experience much social anxiety. Or getting used to the space and the people lessens that of course.

    That pretending I don’t care is never really not caring. I think I always do care. It is a trick.

    For some maybe it is the pose of the hipster. A response to our saturation of emotions in the media. An attempt to reclaim authenticity through irony?

    Now I am working more on watching my mind. It is damn hard. Damn hard sometimes. But when that effortless effort kicks in (with writing poetry or plays or just walking around in crowded central London or teaching) it is incredible.

    I am letting go of false notions of originality as well. All the world’s language is my language. All the poems ever written are my poems. And yours. To remake and reframe and reclaim.

    Mesh it!!

     

    frank o'hara.jpg

     

  • What does it mean to deal with something? Another 20 min of breaking down after seeing more pictures of Aaron and Shantell when they were little. Remembering those times. Feeling the pain of not being able to protect. The pain of not being an older brother. Aaron was so sensitive as a kid. Aaron and Shantell so close in age. Playing together. So much chaos but also hope as poor immigrants in the United States in the 1980’s in Las Vegas. Feeling lots of alienation. Lots.

    My family struggling to survive and not being able to help them. Not being able to rescue. Praying for hours to help my family. Money from heaven etc. etc. Always seemingly on the verge of losing everything. And then later after god no longer made sense in a traditional sense moving away from my family. Trying to find a path.

    I guess some of this pain is coming from clinging to the past. Not fully accepting change. Aaron was no longer that little boy that I remember growing up.

    Does something remain of our past? Traces?

    Time ticks louder and louder.

    Giving up attachment to life is hard. It feels abstract.

    Fear seems to be the root cause of all suffering.

    How to not fear change? Being stoic is a denial. Repressing feelings is a denial. Neither has anything to do with the practical Zen Buddhism that makes sense to me.

    There are plenty of tears. What is salvation? How do we work it out?

    What isn’t spiritual? (like art it depends on the framing/the mind/the engagement of the person seeing).

    There is no real separation between the spiritual and the mundane. The everyday and the sublime.

    This morning comes in waves. Anyone that has experienced this kind of extreme loss knows about the waves.

    There is no coming out of the other side. It’s the same side. There is only the practice of seeing things as they really are.

  • day 3 of teaching my travel literature summer intensive course. Naps after class and all time collapses. North Carolina, Bellingham, Turkey, Utah. I can see I am not the same person and all things change but larger events seem to bring about bigger changes and shifts.

    2009 was the last large event that changed everything. A reconciling. Of family. Of identity. Of various origins. I realise it is always in progress but I felt more a sense of a base. More stability to work from. A home.

    Now this year it is the loss of Aaron. I can look at how I thought and acted before this event. My petty worries and anxieties. I don’t want to go back to that. I know things will normalise. I know things will happen and the loss of Aaron will hit me again. I know I will have to work to see things in perspective and those petty worries and anxieties will return. I will have to work at it. I want to put things into perspective.

    It is not a one time thing. But I don’t want a tragedy or living in a state of emotional emergency to be the only things that wake me up.

    If everything is constantly changing (including language) and there was nothing else . . what could we talk about? How could we communicate anything? Or is constantly changing different from chaos? We live our lives with the idea of some predictability and non-change. How could we do anything without some of this?

    But I guess the trouble comes with clinging to those ideas of stability and predictability.

    My suffering has come as a result of trying to anticipate the change. I have had a lot of change and radical adjustments. To various countries. To isolation. To loss in various forms. To radically changing my identity and world views. Etc. etc. So now when I find any kind of life resembling some stability I have a fear of getting too comfortable. I fear I am not prepared enough for the worst.

    I have been trying to work through this for the last seven years. For one year with counselling and cognitive therapy (among dealing with other issues).

    How to allow for happiness without anticipating the suffering?

    A lot of contemporary American Zen Buddhism makes sense to me in a practical way. Suffering will come whether or not I anticipate it. Clinging to either suffering or happiness can lead to problems.

    I have to bend. Rigid things snap in the wind.

    A sense of the spiritual in a larger sense also seems necessary to my well-being. A sense of purpose as well. Guess we all need that sense of purpose right? Even in the face of the absurdity of death. It’s the fella that rolls the rock up the hill only to have slide it down the other side. He rolls it back up again and again and again. Forever. Good old sisyphus.

    But unlike a lot of the existentialists the Buddhist idea is not cling to the suffering and anxiety. Contemporary American Zen Buddhism seems to be existentialism without the angst.

    Also learning to be and to take delight in the everyday. Those things have helped a lot. And not being detached (clinging or attachment seems to be the opposite). But rather being fully engaged in everything happening right now in mind, body, environment.

    Delighting in the mysteries can lead to awe. Awe can lead to being more fully present and awake.
    Taking it all with a light touch. A playful seriousness. That helps a lot.

    Again not being detached but fully engaged with how the mind works. The mind is the source of suffering and happiness and all else.

    Not knowing can be terrifying. Or it can be liberating.

    Maybe all things are changing, including the chatter of our minds. But that something that doesn’t change is the mystery. The thing we work with to notice the chatter of our mind. The awareness/consciousness. Consciousness in both a larger collective sense and an individual sense. The thing that can be fully present.

  • Kozan Ichikyo, died February 12, 1360. After writing this poem on the morning of his death, he lay down his brush and died sitting upright.

    Empty-handed I entered
    the world
    Barefoot I leave it.
    My coming, my going —
    Two simple happenings
    That got entangled.

  • Ewa is under the kitchen window
    with a plastic bag on her hair
    cleaning the kingdom
    of dead spiders
    hiding behind the curtains

  • I cannot find you brother. How can I imagine you as nowhere. If I imagine you as somewhere where I can imagine you? On a cloud? Slipping back into the sea? As some kind of energy?

    I like to imagine you as full of awe and wonder. Full of peace. I like to imagine you NOT suffering. NOT full of pain and worry and heartbreak. I like to imagine you free.

    I want to live fully brother. More fully. I want to be awake with the love of you.  I want the love of you to help me awake to love.

    I am full of silence today. Just the hum of the fan on this laptop. No music. Just the London buses passing by.

    You do not suffer my brother. I am closing my eyes and seeing you. Hearing you.

    You are here.

  • Dust motes and black mould. Stiff neck and sore back. Sipping green tea. People are mowing the grass and cutting the branches outside.

    after cleaning house
    staring at the clouds moving
    cut grass

    under the same roof
    we all sleep

    let us peel
    the potatoes
    for evening supper

    bell bottom
    clouds

    I have borrowed
    my brother’s jeans

    there is no wind
    to carry

    the closing of spring

  • Went to High Street Kensington to look for the classroom I will be teaching in on Monday. For a large part of the time I was frustrated with all the activity. The rush of shoppers and thrill seekers. Every little bit of pleasure somehow felt frustrating. We went to Whole Foods and looked around. Somehow life felt unfair. So many of us (including myself) can’t afford what is that shop. All the fresh organic food (some of it a gimmick of course). But life is unfair. Or is it fair? What is fair and unfair?

    The amount of suffering seems to differ. A lot of those wealthy people walking around High Street Kensington seem to live in a different London and a different world. Ditto all the rich visiting Americans. Do they suffer less than those of us who worry about the next paycheck or having enough money to go to the doctors?

    How can we measure suffering? How can use a scale to say who suffers more? How many kinds of suffering are there?

    I walked past some beer. India Pale Ale. And it reminded me of last Christmas with Aaron. And the Christmas before that. Especially Christmas in 2009 in Utah. He was full of life. We laughed a lot. We got a few bottles of India Pale Ale. We shared an amazing time. And it almost made me break down in Whole Foods. Seeing those bottles of IPA. And then the coffee reminded me of Aaron as well. And I felt frustrated Aaron was not among all these people walking around seemingly carefree and enjoying themselves.

    But on the tube ride back to Wood Green I was reading some Dogen. About duality and non-duality. How these terms do not exist in a hierarchal relationship. The non-duality encompasses the duality.

    So how does this apply to all those wealthy people? All those people who seem to suffer less intensely?

    Well I cannot know their suffering! How an I know how much they suffer or how?

    These things I think are true universally:

    1)  Everything changes and nothing stays the same
    2) There is no such thing as “self”and that there is no immortal soul
    3) We all suffer
    4) There is a way to end suffering

    There is no “self” in the western sense because everything depends on something else and we are constantly changing. It seems crazy and delusional to think otherwise.

    The book I was reading about Dogen helped. For a while.

    I must continue to practice. To see things as they really are.

  • Two hour nap. Fresh vegetable soup. Heading out to get fresh air. Aaron will be with me.  Love you brother!!

  • I try to think of Aaron as not suffering. As no longer feeling pain. When I see a picture of him I am flooded again. When I think of visiting Utah in August and not being able to talk to him, hear him, see him none of this comforts me.

    I have never experienced so much crying.

    There is nothing to do but lay back down. I am trying not to avoid. Trying not to distract myself.

    But maybe sometimes I need to do something else.

    For now there is maybe sleep.

  • My body went into shock. Then morning. Lots of morning. When do I stop morning? If I stop morning do I stop remembering Aaron?

    I have never cried this much. Or in this way.

    If I eat why am I eating? I have sat in this room since I got the news of the death of Aaron. I went outside to get a roll yesterday for 5 min.

    The world outside looked strange.

    But I know the world outside is no different than here.

    How do I feel that? How do I get beyond this delusion of separateness?

    Or to feel that other part of reality that shows me we are not separate?

    Some connection comes from knowing we all suffer the death of people we love.

    We will all experience this (or have experienced this).

    This comfort comes and goes. This realisation comes and goes.

    What is the mindfulness of feeling things through the body?

    My body feels run down. Muscles tight.

    What do I need to let go of?

  • what is a vacuum? Why am I vacuuming? What is this round plate? Why I am eating off it? What is the mug? Why am I drinking from it? What is this wind? What does it blow? What do I know? What do I not know?

  • Sleep is not easy. Last night I had a dream.  A friend was sitting alone on a chair. He said he was lonely. He said he last best friend was moving away. It was a big empty room for a conference. There was no conference. There was only the hug of my friend and his loneliness.

    Jobs, eating, sleeping. All these things feel abstract. What does it mean? Sleep? Eat? Work?

    How to go about doing all those things?

    How to quiet the mind. To focus on letting my mind wander? To not figuring and planning?

    To go about all the dailyness of life without getting lost in it?

    Where does my attention go?

    Is there someone in charge of me?

    Who would that be?

    I had some comforting thoughts about Aaron no longer suffering. No longer feeling the pains of this existence.

    But that kind of comfort comes and goes.

    Getting things done is important. But what about insight and intuition? There is something to be said about focus and not being grabbed. Giving attention with a warm heart and kindness. How is my breath my body my face? What are these things?

    What are my memories of Aaron. They are warm. They are sad.

    How do I choose to remember Aaron? Where is Aaron?

    The ordinariness of life right now bothers me. On and off. The dump trucks and people pouring out of pubs. What is in this room?

    The heart’s expression is not should or should not. It is just moved.

    Where does it move? What is e-motion?

    Aaron’s laugh is with me. His smile. His compassion. His understanding.

    To sit with things unresolvable. To stop trying to resolve them. To hold something in the heart in a larger way.

    I can’t make something happen now. I can only let what is happening happen.

  • We pay money to have our attention grabbed

    We will engage it and give it something to do for hours

    We can’t fix everything so what will we do?

    What do you choose to give your attention to?

    looking for the next thing that is wrong and then figure out how to fix it

    I want to cure you rescue you fix you

    Is there foolish compassion?

    How much are we going to fix?

    Look carefully at what you can actually do something about

    There is discomfort and unease

    Sometimes you have to be with it

    Some things can’t be fixed

    What will we give our attention to?

    Not just grabbed by the loudest phenomena in the vacinity

    We have a choice

    It is the study of a lifestyle

    What will you give your attention to?

  • the dharma is the law of the heart which has no form but contains everything

  • I lost my brother Aaron yesterday. He was 29. Everything seemed petty and a bit worthless after the news. It was a shock. No warning. Just gone. I was with him six months ago in Utah. We made plans. We grew up together and went through a lot. Living in Coffee Hall housing estate in Milton Keynes England and then the big move to America (Las Vegas). He would ride on the handlebars of my bike. We collected coins back in 86 and used them to buy a sundae at McDonalds and share it. A fudge sundae. I wanted to be a boxer back then and carried around a ghetto blaster and lifted rocks in the desert. The ghetto blaster had the tape to Rocky IV. A double deck. Over the years I moved around the U.S. and then around the world. We finally started reconnecting two years ago at Christmas in Utah. It was one of the greatest times of my life. To reconnect with all my family and with my brother Aaron. Last Christmas we hung out a lot. We had a great new years together. I was happy to have a small amount of savings and planned to make it to Utah once a year finally. See Aaron and my family every year. I was hoping he would get on his feet and he could come to London and I could show him around. He had it rough in his twenties. He hit rock bottom a few times. I don’t know if he was at rock bottom when he died. My mum tells me he got a haircut that day and was happy. I don’t know what he felt. If he was aware. I wanted to tell him so much more last Christmas. I keep seeing his face when we said goodbye in January this year. And his simple “love you buddy.” I promised not to leave it so long this time. It was really really hard to say goodbye to Aaron but I was sure I would see him again at Christmas. it is still unclear how he died. It is all very sudden. It will be even harder when I go to Utah in August and he will not be there. I also need my family. It will be good to be around everyone. To feel their support and love.

    I am full of cliches with this suffering and sadness. It is still very raw. Stuff like: “a huge chunk has been ripped out of me.” I don’t have any metaphors on me. I feel hollow. I felt compassion. I feel great waves of sadness.

    There are so many more experiences I wanted to share with my brother. Even when I am eating I am thinking he will never taste what I am tasting. He won’t ever watch what I am watching. It is all gone.

    Being in London it sometimes feels unreal. Like he is still in Utah. How could he not still be in Utah. In his room.

    We swapped clothes last Christmas. I have a pair of his jeans and he has my jacket. He was so excited to go out eat sushi together in Salt Lake. And his whiteboard had the date of my arrival and “brother coming.”

    I am all mixed up. Anger is surfacing. Anger at no one and nothing. Just anger at how he is gone and there is nothing any of us can do.

    He was full of so much energy as a kid. Running up and down the hallways for hours in Milton Keynes. He was 2 and I was 12. Always polite and gentle and sensitive to everything around him.

    He was a skater in his teenage years and from what others have told me the life of the party. He didn’t fear much. A real dare devil.

    My cousin Grant told me how when he visited he went with Aaron to Las Vegas and California. He said they were in a elevator in Las Vegas and Aaron had the idea to stand on their head while the elevator went down. When the door opened an Elvis appeared and they told him (while standing on their heads) this elevator was going up. The elvis said sorry sorry and didn’t get in. They rolled on the ground laughing about it.

    He was full of life and energy and humour.

    I missed so many years. I wanted to catch up. There is no catching up.

    My uncle in Portadown put this up yesterday:

  • The Spanish introduced the potato to Europe in the second half of the 16th century. After they killed off the Incas. European mariners brought it to territories and ports all around the world. I guess the European farmers were skeptical for a while but it was adopted. The potato played a major role in the 19th century population boom. 

    What new food will create the next BOOM? A new creature altogether?

    What if the 21st century Frankensteinian monster is really a vegetable?

    Frankenstein’s Monster was a vegetarian.

    OK so you are composed of dismembered parts and you are a vegetarian. 

    But that’s a whole nuther logic.

    A soft tangent brings us back to the potato. 

    Our next great vegetable to make BOOM

    will be:

    a) made in the lab

    b) from outer space

    c) half meat/half vegetable

    d) come in tablet form

    e) in our milk

    f) in our air 

    g) woven into clothes

    h) virtual

    i) odourless

    j) stinky

    k) white

    L) red

    M) Blue

    N) gas

    O) Liquid

    P) Solid

    Q) looks better than you

    R) a dog

    S) a cat

    T) a hairy rat

    U) Montreal

    V) Paul Legault

    W) horse 1

    X) horse 2

    Y) horse 3

    Z) a wooden mass

     

     

     

  • First draft of a John Wayne mesh up over at The Creature. In Old California film. The Mirror Palace is the saloon where a lot of the action takes place:

    http://nomadicpoetics.wordpress.com/

     

     

  • The gym is the best way to combat wet and damp England. Now I can think. Reading Paul Legault’s The Other Poems today while watching John Wayne’s old California. I like the man with a toothache who is tamed by a woman who shoots her laundry off the line. There is a lot of play with gender in those old flicks. The new flicks often have similar themes in terms of gender and romance. Interesting how very little has changed. Will do a mesh-up of John Wayne later today for The Creature blog. With DJ Spooky for background music. Mesh ups are the way forward. A continuation of cut-ups. Always and will always be relevant as a method cause the information is also moving. Even more so today. Some of the most interesting poetry is mixing discourses and mediums and methods. Ditto music and film and tv shows etc. etc. Deadwood for example. But I want more of mesh up. Everything is available to us. Modernism has given us so much to play with. And Romanticism. And pop culture. And???? The sound/music of language meshing different discourses. 19th century travel handbooks, my travel notebooks, Walt Whitman and The Monkeys, pop music. And many many many more sources are used in my manuscript The Creature. I have a feeling The Creature has steered me into a life’s work. Or the method of mesh ups has opened things up. Trying to mesh things that shouldn’t mesh. I am stealing everything! We live in interesting times as always!!!

  • works in progress from The Creature:

    The Creature

  • it is a project. 88 edited pages into it . . . might publish it in three parts . . .

    check out unedited ones in progress here:

    http://nomadicpoetics.wordpress.com/

  • For almost seven years I traveled around the world with one suitcase. I had romantic notions that didn’t quite turn out romantic. Or sometimes they did. Now I am settling down in London. Waiting for the delivery of a used sofa that may not fit through the door. I have a big screen to type on and read from. I still don’t own a TV. I see the TV in the gym and it is unconvincing. Why would anyone want one?

    Buddhism has helped a lot. Practical Buddhism. My goal in returning to London (one of them) was to see and acknowledge the new in everyday life. To centre myself with impermanence. From Smashing Time deals with that. I also realised that misery can feed on misery. Philip Whalen taught me how to have a light touch in my writing and in my life. Suffering is not wished away of course. It is often assumed that an artist/writer is consumed with pain and writes or paints or whathaveyou through that pain. But humour seems vital to me. In life and writing. Not forcing it but being able to see it everywhere. I think it was the poet Matthew Rohrer who said in an interview that humour and tragedy are equally important. I think quite a few poets forget the humour or assume it is part of the trivial world of so-called entertainment.

    This seems especially apt in the divided world of contemporary British poetry. The so-called experimental (with some very notable exceptions like Tim Atkins, Peter Jaeger and Jeff Hilson) seems deadly serious in its use of theory/academic posturing and politics. But perhaps this is changing. In the so-called mainstream of British poetry they are stuck in the 19th century. Like a contemporary painter painting landscapes from the 19th or 18th century. There is very little playfulness. Or if there is it is the posturing of writing for the “common reader” by writing flat and banal. But mostly the mainstream is an identity parade. The ego is front and centre. See Carol Ann Duffy etc. etc.  Flat and banal work can be interesting in the right hands. See Mike Topp etc. There are no shalt and shalt nots. This is all very problematic. Even as I dash this off there are a million holes. But these are general tendencies I have noticed in the last few years.  There is a British anthology coming soon (oh no not another one) with a lot of experimental/avant garde poets and some in-between poets. It’s coming out from one of the biggest mainstream publishers (Bloodaxe). I think it might actually be interesting. The poetry world on this tiny provincial island needs a really really good shake-up. Again. The two sides of poetry seemed locked into position and have produced some very very stale and predictable writing. Whether avant garde or mainstream. Again, as always, there are some stellar exceptions. SJ Fowler has shook things up with his European poets reading with British poets, his covers project, his Maintenant Camarade project of British poets collaborating with each other and a million other projects. Openned with Steve Willey and Alex Davies did some good groundwork for opening the field. I think there are many folks who see that experimental/avant garde practice can have a much larger audience (like music, theatre etc. etc.) but how to go about it? Community is one of those hot topics both here and in the U.S. Community practice(s). That’s perhaps the most important. But I think the experimental poetry scene in the U.K. could be freshened up a lot more by moving beyond the disjunctive/performative work of Keston Sutherland (a fine poet) or Prynne and Cambridge or the sound and concrete poetry from the 1970’s and Writer’s Forum etc.

    See Tim Atkins and Jeff Hilson for the huge huge exception to all this. Perhaps the most original and interesting poets writing in the U.K. today. Well not just the U.K. I haven’t read anything like their poetry in the U.S. either.

    So keeping fresh. Hm . . .

    one things for sure . . it starts with reading beyond the very very narrow reading of typical experimental/avant garde British poetry.

    There is a ton of great poetry to read. And of course there is all this daily living to do as well.

    I am not sure how it was in the 1960’s and 1970’s here in the U.K. I have heard a lot about the poetry wars. It seems from looking at books published in those two decades there was quite a lot of activity. Linking up with some of the New American poets and so on.

    The NY Schools of Poetry don’t seem to have made an impact here (again for the exception see Tim Atkins and Jeff Hilson). Why?

    There are definite signs of life here though. Maybe Penned in the Margins could become something almost like Fence in the U.S.? Maybe.  And Department books and Knives Forks and Spoons have done some interesting books. Veer Books has a few interesting books (In the Assarts by Jeff Hilson and a new book by Richard Parker are by far the most interesting and original). Reality Street has a couple of interesting books from the last twenty years or so (Peter Jaeger’s Rapid Eye Movement and Jim Goar’s Seoul Bus Poems for example). Department Books also has a few good books out and is showing a lot of potential (see especially Jessica Pujol i Duran’s Now Worry).

    But we need more. Much much more!!

    In all honesty I don’t think there is any UK press that equals Fence, Ugly Ducking, Black Ocean, Wave, Adventures in Poetry (and maybe 100 or so more North American presses) in terms of expanding the possibilities for both poetry and living.Of course North America is a large large place and this is just a tiny island. But still . .  I think it is possible to have at least one or maybe two presses that really push what is possible in poetry!

    I have a lot of hope. I have made some very very fine friends here. There are fab poets. I am part of a community of artists/poets. That community has made a huge huge difference.

    Still waiting for the used sofa . . . it will be nice to have a comfy place to sit  . .. finally . . .

  •  

     

    A Hut is Constructed of Loose Stones

    this is part the story of Genesis
    a human is being collected
    the book of things
    the book of bodies
    a pool of chlorine
    the skull of a Frank
    or the skull of slug
    a lover gives love
    while snoring
    while thinking about England
    one has to become very small
    with closed eyes
    one becomes the cat
    or the toothpick
    badly one listens to things
    like toffee pudding
    or top of the pops
    the silver button on a plastic box
    where the living rubs against the skin
    an uproar and din
    who speaks when you are not speaking
    ahhhhhhhhhhhhhhh
    near the chirping or rattling of things
    near the barking
    obscurity filled the atmosphere
    there is nothing
    the nearest desert
    can explain to the mountain
    a bad sunning lizard
    like an accident
    we never saw coming
    Mitchen’s monster
    or a new dust devil
    dropped plush with the desert’s breath
    a whistle of wind
    through cool ridge
    a poem about mint
    ahhhhhhhhhhhhhhhhhh
    we all like it for longest breath
    naked
    withered down
    & desolate
    in the nearby past
    hedge tree shrub house hut or
    enclosure
  • trying out wordpress for the simple look . . feeling minimal . . . might migrate Never Mind the Beasts over there: