about
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we drift and dawdle and dart and Pit and Pounce andgallop and glide and jink and jog and lope and leap and march andmeander and plod and prance and promenade and prowl and sashay and saunterand step and shamble and shuQe and stalk and stomp and stride and stroll andstrut and swagger and tiptoe and tramp and trip and trot and trudge and wade and waddleand wander.— Morton SondergaardMorton Sondergaard is the best in Danish poetry.He writes about our glorious follies and glorious evolution and revolution.Check out his book A Step In The Right Direction. Available from Bookthug in Canada.Oh yeahhhh!!!and an interview over here with SJ Fowler:
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The Enemies project presents some of the finest contemporary poets from Poland collaborating to read original works of avant garde / literary poetry with British contemporaries. Multiple pairs of poets will present work that is cross language, cross media and truly groundbreaking, evidencing the innovative potential of collaboration in poetry and the force of European poets very much working in the 21st century. Featuring Grzegorz Wroblewski, Piotr Gwiazda, Adam Zdrodowski, SJ Fowler, Marcus Slease and many others.
VERY EXCITED FOR THIS!!! RARE RARE RARE READING WITH GRZEGORZ WROBLEWKI. AND PIOTR GWIAZDA AND ADAM ZDRODOWSKI TOO!!! OH YEAHHHHHH!!! COME HERE POLISH POETRY. COME HEAR POLISH POETRY. IN ENGLISH AND POLISH.I will be reading with Grzegorz Wroblewski on the night. Some nomadic surrealist poems in progress.More info over here:http://www.richmix.org.uk/whats-on/event/wrogowie-the-enemies-project-polish-poetry/
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MY CHAPBOOK SPANISH FORK NOW AVAILABLE WITH COUNTRY MUSIC. DOWNLOAD FOR FREE .
YOU DO NO NEED SPECIAL SPECTACLES TO READ IT!!
THANK YOU SCOTT ABELS!!!
CHECK IT
http://countrymusicpoetry.org/media/Spanish_Fork.pdf
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Octopus Books will publish Wong May’s first book of poems since her last was published in 1978. It will be edited by Zachary Schomburg and Brandon Shimoda, and it is called Picasso’s Tears.
I am def gonna grab Picasso’s Tears!!
check out some of her awesome poetry in the new Octopus Mag over here:http://www.octopusmagazine.com/Issue16/may.php
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http://www.shampoopoetry.com/shampooforty/lee-swenhaugen.htm
Yes I left my hat there
over a series of summers
at the bottom of a who knows
how many bowls of wine!Marshall Walker Lee and Drew Scott Swenhaugen -
HERE IS WEE ONLINE PERFORMANCE OF MY POEM A LOVE SUPREME. IT IS AN ATTEMPT AT COMPASSION. MEDITATION, DHARMA. ETC. WRITTEN AND PERFORMED IN EAST LONDON DOCKLANDS.
https://www.youtube.com/watch?v=7jkzwZiQ_Z8
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(first take, draft, whatever . .)It’s one dayfrom new years.We are gettingto the endof 2013 and everyoneis making lists.I haven’t made a list.If I made a listit would be a listof books I loved,or books I still haven’tread, but reallyI’m thinking aboutwhat is still out there,meaning in here.I want to get lessitchy and more artsy.It is raining and thereis nothing I can doabout it.The trees are drippingand the wind is blowing.Welcome back to London.Where do I want to go?I want to go to Amsterdam.And maybe Berlin.I want to wear loose fittingclothing and ride a bicycledown the street, maybepick up an organic orangefrom some organicfarmer’s marketwhere everyone knowsmy name.It ain’t gonna happen.What is the differencebetween escapeand entering?What am I entering intoor out ofwhen I escape on my bicycle?I want to travel to get outof my mind.I slept late in Polandand now here I amback in Londonwaking up at 6 AM.I wake up in Londonand my mind immediatelyturn to things I could buy:a new laptop, a specialmassage machine.It ends quickly. I run outof things to buy.I think my mind goesthere to rescue me,but from what?My mind needssomewhere to go.I’ve got to put it backinto my bodyand then into the bodyof the world.I think I need both.I have to think of thingsto buy and check themoff one by oneby deciding I don’twant them.That’s one way to go.Do I need a bicycle?I need a bicycle to pedalmetaphors.Then I can chuck itin the ditchand hitch a rideon some othercontraption.I want to getmore and moreout of my ego.What is the energythat comes from gettingrid of money?Maybe I want to feelpart of the human racewith everyone else,buying. What can Ibuy today?I wanna ride wavesof compassion.I wanna see the worldmore clearly.I want to walkmore mindfully.My green tea is boilingand I am listeningto a daily meditationby Lama Kunga Rinpocheon supreme wisdomand compassion.Is it working?What does it meanto cross over an oceanof suffering?My life is an oceanand I am crossingand crossing.I have crossedmany timesand I wakeup diningon anxiety.I run around in the morningtrying to distract myselfor trying to fill upso I can get emptyagain.Here comes the wind.The trees are reallyshaking nowand the windowsare rattling.I need to goout thereand buy toilet paperand soap.Maybe somethingto wipe downthis computerscreen. To touchthe heart of allsentient beingssufferingin all theserealms of samsara.Samsara is beautiful.Samsara us ugly.What differencedoes it make?I am trying to writemyselfout of myselfand into anotherawakeness.I buy books to becomeother people.I am here nowat the kitchentable, listeningto the boiler clickon and click off,and the windblowingand blowingthe trees.Only a smallpart of my mindknows it is 2013.Only a small partof my mindknows my nameis Marcus. I wantto get to the largerpart of my brain.I am turningthe wheelof the dharma.It is an end of yearsale and a beginningof day list.What does buyingmean?It means whatyou want itto mean.But be honest.Buy safely.You cannotbuy safety.What am I goingto consumewith my mindtoday?Dharmaand gold almonds,a pathof wisdom.I need to seemore clearly.May all beingsbe happy.
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Super happy to have my work in the new issue of The Atlas Review with CA Conrad and other fine folks.
It is available for pre-order over here:YIPPPIEEEE!!! -
thanks for reading, glancing, clicking, stumbling upon etc etc etc.
itr’s a noisy world on the internet. and irl life too. but even more on the internet. the internet is the noisiest place on the planet.
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BY ROBERT DUNCAN GRAY
IT’S GOOD.
I LIKE IT.
GIVE ME MORE ROBERT DUNCAN GRAY.
read LUNCH MONEY
AND OTHERS
OVER AT THE CRUSHES
OF POOR CLAUDIA:
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IT’S CHRISTMAS EVE. I AM IN POLAND READING THE LION’S FACE.
THANK YOU
TIM
VAN
DYKEAND
TYPO
and
BAUDRILLARD
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One of my fav poets. Zachary Schomburg. Reading over here for Likewise Folio (based in Provo, Utah not far from my parents. Hm.)
Likewise Folio has some good stuff. Gonna read more of Likewise Folio soon. -
Check it. City Lights podcast with Dodie Bellamy and Dennis Cooper:
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interview with the great Dodie Bellamy. Sophistication is so conformist. Oh yeah! Love Cunt Norton. The Letter of Mina Harker.
Can’t wait for her TV Sutras.Interview over at Bomb Magazine:http://bombsite.com/issues/126/articles/7454
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poem for my brother Aaron Slease (15th Dec 1982-7th June 2012)
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A picture of me and Ewa and Bandit at our friend Chris’s house last night. This picture was taken after four joints, six beers, and some Iranian food. We all watched the dog chew the ball and we all wished we had the teeth to chew a ball like this dog. I could hear the dog chewing the ball for at least 8 hours after he finished chewing the ball. It was a very good Sunday night.
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We will serve food in jelly. Mouth grenades. A concentrated form of sustenance and subsistence. This is all you need to survive. Our slogan is: ‘My cranium is a helmet of the universe’. Starting off with a duo of basic flavours: chicken and rosemary (chicken being at the core), to then develop the menu into a kaleidoscope of tastes. Mouth granades will be given birth to in slow painless labour and voluntary yet obligatory fired into ‘the peoples’ mouths.You would get what you order until you begin to order what you get. You are in control of a constantly shooting catapult that forces (into) you, mandatory injections.The shop sign will consist of the mouth grenade between Thatcher and Bukowski. The projection of their silhouettes into the fireplace. In the fireplace there shall be two jellies, slowly moving against each other. Harnessing from the friction of the jellies we will create a free source of energy and a luminescence-warming light to what was once a cold room. What was previously cold will become warm.
Free range and everything now in range of our grasp can belong to us because it’s free.
Complementary website with photographs: spreading a live feed of 1000 images per hour, divided between 6 photographers. 1 photo a minute per photographer of the live preceding of the jellies in the fire place producing free energy through friction, warmth and luminescence light into… a previously cold and dark room.
Later on: human sized jelly shaped humans that you can eat for breakfast.
Jollyjelly jelly jolly jelly jelly jolly jolly jelly.
The potential tyranny of jellyjolly. The tyranny of theology of jellyjolly. The priests delivering the body of Thatcher and the blood of Bukowski. Moving from private realm into the public domain, using the technology of 3D printer. Unclear why.
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love this!!
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eileen myles. reading cool for you with a cool video of her dwelling space!!!
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this makes me happy
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Up at the new Tenderloin. Waste. The city. The cows. The country.
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A BIG THANKS TO JIM GOAR FOR THE GREAT QUESTIONS. WE TALKED ABOUT A LOT. LIKE NY SCHOOL POETS AND PHILIP WHALEN, AND POOR CLAUDIA. ALSO ABOUT NOMADIC POETICS AND TRAVEL AND SURREALISM.
INTERVIEW UP NOW AT THE VOLTA/CONVERSANT
http://theconversant.org/?p=5588
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http://www.likestarlings.com/the-stranger-or-is-being-a-female-anathema-to-being-an-absurdist/
TERRIFIC!! JUST WHAT I NEEDED TO READ HERE IN EAST LONDON TODAY!!
YES! DARCIE DENNIGAN ROCKS!!!
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Marcus Slease and John Estes. Over here. John Ashbery and Eileen Myles are in the conversation. Many others too. Canton, Ohio and East London.
Check it out over here at Likestarlings:
http://www.likestarlings.com/poems/marcus-slease-john-estes/#1
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My reading at Hardy Tree in London on Saturday 23rd Nov 2013.
pocket rubbings, aliens, mormons, boy scouts, a blooming tattoo, conversations with saints and work of Eileen Myles, Sister Spit, Michelle Tea, Bernadette Mayer and others
from new ms in progress: ANOTHER KIND OF MISSION
thank you Saint Erkembode! thank you SJ Fowler! Thank you Hardy Tree! Thank you fellow poets and friends and saintly travellers . .
The poems are from my book in progress Play Yr Kardz Right.
A video of the reading is over here:
http://www.youtube.com/watch?v=3073DcMsjI0&sns=tw
Held at the Hardy Tree gallery in Kings X, London on November 23rd 2013, for the Erkembode: not just another saint exhibition, a series of poetry readings from contemporary British vanguard poets who have collaborated or worked closely with the artist David Kelly http://www.erkembode.com including poetry from Marcus Slease, Holly Pester, SJ Fowler, David Berridge, Robert Kiely, Tim Atkins & Sarah Kelly. -
Saturday 23rd November, 7.30pm – Poets as Saintshardy tree gallerynear kings crossLondonEvent specific poetry by avant-garde poets bouncing around the subject of saints. Poets/saints on board so far are Tim Atkins, SJ Fowler, Robert Kiely, Sarah Kelly, David Berridge and Marcus Slease.
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http://www.youtube.com/watch?v=A2BrSHygKfs
CANNIBALS ON A DIET
GETTING SMALLER GETTING SMALLER GETTING SMALL
JIGGLE JIGGLE JIGGLE JIGGLE
ETC.
a reading of some of Bruce Andrews’ work
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with SJ Fowler and Holly Pester.
part of the enemies project.FAB FAB FAB COLLABORATION ALL THE WAY IN MEXICO CITY. -
http://erkembode.com/2013/11/18/photos-and-blab-from-saints-on-film/
a film on the back of my ghost costume
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YOU’VE BEEN PUSHING SINCE LAHORE
A COLLABORATIVE POST SURREAL TRAVEL STORY OF THREE SAINTS ON A MISSION!!!
WRITTEN BY
MARCUS SLEASE, DAVID KELLY-MANCAUX, CHRIS GUTKIND.
BASED ON A TRUE STORY!
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11th November 2013
NOT JUST ANOTHER SAINT PERFORMANCE NIGHT AT HARDY TREE GALLERY IN LONDON.IT WAS CALLEDSAINTS ON FILMI changed into a white robe and Saint Erkembode screened the film he made on my back while I read a collaborative story about traveling through London to find a Doom Drone concert. The film had a drone loop and featured some of the words from the story. The words from the story sometimes appeared on my back. On the white robe. I read the story to the audience with my back to them. I was on a step ladder so the film could be projected onto my back and my head.In the story I read we went through the USSR to get to the Doom Drone concert. We got lost. A lot. We rode kangaroos and looked for chunky ice cream and ate hot milk over chips etc. etc.it is based on a true story. The story is called YOU’VE BEEN PUSHING SINCE LAHORE (written by Chris Gutkind, me(marcus slease), and Saint Erkembode.Some fun and interesting films on the night too. A Burroughs cut up film from 1966 and marshes and meshes and a crow surreal film and a man who played live organ electronic music to accompany his film live in the gallery.Outsider art. No academic bullshit! -
http://erkembode.com/2013/11/10/saint-sandwich/
This evening I am sandwiched between last night’s K R A M P U S NACHT and tomorrow’s S A I N T S O N F I L M events – both part of the NOT JUST ANY OLD SAINTS series for my current ERKEMBODE: NOT JUST ANOTHER SAINT solo exhibition at the The Hardy Tree Gallery.
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One of my favourite poets and people of all time. She has a new website. It is very good. I go there almost everyday.
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POEM WRITTEN TODAY AND READ INTO WEBCAM.
Contrasts with my writing 2000-2005. And writing 2014-2019.
It is fun to change.
My life! Your life! Whose life is it anyway?
I am interested in reconciling art and life (it is impossible).
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OVER AT THE DOCTOR T.J. ECKLEBURG REVIEW
1) As part of the mother’s mother family wisdom a baby boy has a slipknot around his ankle and tied to the cribpost
2) Claude and Nellie are the baby’s parents
3) Claude lusted over Nellie when she was milking a heifer
4) Nellie’s mum whooped on Claude for something called bird-dogging
5) Claude liked a small hole that made a white sphere in Nellie’s stockings
6) Claude liked the way Nellie pulled on the teats of the heifer
7) Claude courted Nellie with ham hock and wild flowers
8) Nellie was swollen and auctioned off by her father at age 15
9) Claude brought ham hocks and wild flowers to Nellie’s mother as a kind of dowry
10) One day Claude untied the rope around the baby boys ankle
Something goes very very wrong . .
read it with your body here:
http://thedoctortjeckleburgreview.com/2013/11/04/fiction-sacrificing-billy/
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super excited for my poem “The Big Egg” to appear in issue three of http://theatlasreview.com/
THANK YOU NATALIE EIBER
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Mass collab happenin in London today. Gonna be reading some of my train poems. Forwards and backwards. Collab with Claire Potter.
Yeah. Go London. Go Rich Mix. Go UK Poets!
It’s gonna explode!
http://www.richmix.org.uk/whats-on/event/camarade-poetry-festival/
Camarade IV – October 26th 2013 2pm to 10pm at the Rich Mix arts centre
The Camarade poetry festival is a unique and unforgettable one day explosion of dynamic collaboration in contemporary avant garde and literary poetics. 100 poets align in 50 pairs, each writing an original collaborative work, written specifically for the festival and premiered on the day. The 5th Camarade event, and the crescendo of the Enemies project’s first year, this ambitious exploration of the possibilities of collaboration in poetry will evidence the true width and depth of poetry that is happening now.Featuring:Kirsty Irving & Jon StoneAhren Warner & Mark WaldronStephen Connolly & Emily HaslerChris McCabe & Tom JenksCarol Watts & George SzirtesDavid Berridge & Mary PatersonChrissy Williams & Nia DaviesGiles Goodland & Alistair NoonBen Stainton & Nathan HamiltonSophie Collins & Rachael AllenSam Riviere & Joe DunthorneBecky Cremin & Ryan OrmondeDeborah Pearson & Tamarin NorwoodAndy Spragg & Joe KennedyOllie Evans & Robert KielyStephen Watts & Will RoweJames Davies & Philip TerrySean Bonney & Nick-e MelvilleTim Atkins & Jessica Pujol I DuranOli Hazzard & Caleb KlacesRyan Van Winkle & William LetfordJeff Hilson & Fabian MacPhersonRobert Sheppard & Robert HampsonJack Underwood & Alex MacDonaldEkaterina Paronian & Sophie MayerSarah Crewe & Jo LangdonMatt Dalby & Steven WalingJames Byrne & Sandeep ParmarMatthew Gregory & Robert HerbertNathan Jones & Sam SkinnerSarah Kelly & Gabriele LebanauskaiteMendoza & Nat RahaRhy Trimble & Harry GilonisJoel Shea & Ricardo MarquesPascal O’Laughlin & Scott ThurstonMarcus Slease & Claire PotterDaniele Pantano & Nikolai DuffyHolly Pester & Emma BennettTom Chivers &Amy CutlerMarek Kazmierski &Wioletta GrzegorzewskaJoanna Rzadkowska & Kristen KreiderChristodoulos Makris &Kim CampanelloZoe Skoulding & Ondrej BuddeusReza Mohammedi & Ana Seferovic -
Poems written while living in South Korea. Or shortly after. Or much later. But inspired or recollected in tranquility, or not, a few years later. In either case, these are my nomadic surrealist poems from South Korea. They are called Mu (dream) so (window). Available from Poor Claudia (from Portland, OR). Clark Coolidge and Philip Whalen were my spirit guides.
https://soundcloud.com/marcus-slease/mu-dream-so-window
The book is available from Poor Claudia over here:
http://www.poorclaudia.org/chaps/mu-dream-so-window-marcus-slease/
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These poems are train rides around the U.K.
They also deal with love & romantic pornography.
They are from my manuscript in progress called Rides.
https://soundcloud.com/marcus-slease/from-my-heart-is-shuffled-it
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Poem trying to deal with my brothers unexpected death a little over a year ago from overdose.“Cool Valley”
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LOVE THIS GUYS WORK! YES! WOLFMAN LIBRARIAN!
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HAPPY TO BE IN THE NEW VLAK MAG WITH MY POETRY COMIC COLLAB WITH TIM ATKINS. LOTS OF GREAT STUFF IN THERE.Vlak is a nice avant garde art magazine from Prague. You can check it out over here:
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BY THE OUTSIDER ARTIST SAINT ERKEMBODE (aka David Kelly)
part of an exhibition starting this weekend in Paris, Amiens, Saint-Valery-sur-Somme.
Opening exhibition in London (Krampusnacht) at the Hardy Tree Gallery (near Kings Cross, London) on 9th November. Can’t wait!!
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Chris Gutkind over at the new Summerstock. Staring Pinky.
http://www.summerstockjournal.com/2013/08/chris-gutkind.html
https://myspace.com/outernet/video/pinky-39-s-violent-nature/2226141
https://myspace.com/outernet/video/pinky-39-s-love-of-heights/47469909 -
the beautiful voice of a re-incarnated Richard Brautigan but not Richard Brautigan:
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Mathias Svalina is the author of three books, most recently The Explosions from Subito Press. With Alisa Heinzman, Hajara Quinn & Zachary Schomburg he co-edits Octopus Books. Big Lucks will release his book Wastoid in 2014.
check out the new Tenderloin. Poems, interview, sound of the very fabulous Mathias Svalina:
http://www.tender-loin.com/svalina.html -
A great list of indie publishers. Yes. It does seem like a golden age. The big publishers have lost touch, created a vacuum (we know what nature does with vacuums). These publishers are pushing the best shit right now in the English speaking world. There are others that they missed (of course) like Octopus Books/Poor Claudia, Civil Coping Mechanisms, Curbside Splendor (I am sure there are more). But this is a damn good list!!
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The poet Jim Goar kicks off a fab interview series over at The Conversant. Check out his interview with the amazing British poet Johan De Wit:
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One of a handful of mighty mighty good poets who live in the U.K. Here are some of Tim Atkin’s poems from his forthcoming book On Fathers> On Daughtyrs. Now online at Summerstock magazine (edited by Elizabeth Guthrie).
Tim Atkins
from ON FATHERS > ON DAUGHTYRShttp://www.summerstockjournal.com/2013/09/tim-atkins.html
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Some of my train poems now published in the Summerstock Magazine. Riding trains forwards and backwards around the U.K.
Thank you Elizabeth Guthrie!!!
It is part of my manuscript Rides. Many more train rides to come. Forwards and backwards around the U.K.
Check it out:
http://www.summerstockjournal.com/2013/09/marcus-slease.html
Livestock Editions is pleased as huckleberry pie to announce the release of Summer Stock, Issue 7: UK Poetry Dossier (Available at www.summerstockjournal.com). Curated by Livestock editor Elizabeth Guthrie, this year’s online poetry crop offers exciting explorations & currencies in experimental poetry from the United Kingdom.Issue 7 features wild woolly bully writing & literary multimedia from these Brit All Stars: Tim Atkins. Sean Bonney. Paul Buck. Becky Cremin. Laura Foster Twigg. Chris Gutkind. Alan Hay. Jeff Hilson. Peter Jaeger. Antony John. Sarah Kelley. David Kelly. Fabian Macpherson. Sophie Mayer. Richard Parker. Jessica Pujol. Nat Raha. Connie Scozzaro. Marcus Slease. Linus Slug. James Wilkes. Steve Willey. & a collaboration between Steven Fowler & Tim Atkins.
We dedicate this year’s issue to the memory of beloved poet/translator/critic/advisor Anselm Hollo, who passed away earlier this year. Anselm’s life of radical outrider poetry is a shining inspiration to all of us at Livestock. We love you and miss you, Anselm.Please help spread the word by passing this announcement along to your fellow humanimals. We hope you enjoy this year’s late harvest. The calendar may say it’s technically Autumn, but it’s always Summer Stock in our hearts!
honk.gobble.moo.,The Livestock Editors
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The new book of collaborations with SJ Fowler and British and European poets is out now from Penned in the Margins.
It’s killar!!
Must have!!
I have a colloboration with SJ Fowler in there. It’s a poem play. In Kenneth Koch style. Staring Lisa Jarnot.
check it out.
http://www.pennedinthemargins.co.uk/index.php/2013/09/enemies-2/
SJ Fowler has Enemies. And the Enemies of his Enemies are his friends.This ground-breaking, multi-disciplinary collection is the result of collaborations with over thirty artists, photographers and writers. Diary entries mingle with a partially-redacted email exchange; texts slip and fragment, finding new contexts alongside prints, paintings, diagrams, Rorschach blots, YouTube clips and behind-the-scenes photographs at the British Museum.Enemies includes collaborations with: Emily Critchley, Alexander Kell, Ben Morris, David Kelly, Sarah Kelly, Patrick Coyle, Sian Williams, Anatol Knotek, David Berridge, David Kelly, Lone Eriksen, Frédéric Forte, Eiríkur Örn Norðdahl, Claire Potter, Tim Atkins, Marcus Slease, Ryan Van Winkle, Tom Jenks, Chris McCabe, Monica Rinck, Deborah Pearson, Matteo Patocchi, Sam Riviere and Samantha Johnson.Reviews
“An overwhelming assault. The geography is unnerving, almost familiar, then stinging in its estrangement. Intensity crackles. Tension teases. At what point does collision become collaboration? When do the bandages come off?”
Iain Sinclair -
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excerpts by Victoria Selavy from ‘The First Book of Philosophical Sexts’ by Victoria Selavy and Stephen Michael McDowell
http://neatomosquitoshow.tumblr.com/post/57826168255/excerpts-by-victoria-selavy-from-the-first-book -
by Crispin Best
by Keep This Bag Away From Children
“my ex-girlfriend came round tonight because she doesn’t want to poop at her new boyfriend’s house. hi, ex-girlfriend.” -
Joan Didion creates for herself a kind of incubation period for ideas, articulated in this 1968 interview:
I need an hour alone before dinner, with a drink, to go over what I’ve done that day. I can’t do it late in the afternoon because I’m too close to it. Also, the drink helps. It removes me from the pages. So I spend this hour taking things out and putting other things in. Then I start the next day by redoing all of what I did the day before, following these evening notes. When I’m really working I don’t like to go out or have anybody to dinner, because then I lose the hour. If I don’t have the hour, and start the next day with just some bad pages and nowhere to go, I’m in low spirits. Another thing I need to do, when I’m near the end of the book, is sleep in the same room with it. That’s one reason I go home to Sacramento to finish things. Somehow the book doesn’t leave you when you’re asleep right next to it. In Sacramento nobody cares if I appear or not. I can just get up and start typing.
Starting tomorrow — if not today:
I will get up every morning no later than eight. (Can break this rule once a week.)
I will have lunch only with Roger [Straus]. (‘No, I don’t go out for lunch.’ Can break this rule once every two weeks.)
I will write in the Notebook every day. (Model: Lichtenberg’s Waste Books.)
I will tell people not to call in the morning, or not answer the phone.
I will try to confine my reading to the evening. (I read too much — as an escape from writing.)
I will answer letters once a week. (Friday? — I have to go to the hospital anyway.)In this 1965 interview, Simone de Beauvoir contributes to dispelling the “tortured-genius” myth of writing:I’m always in a hurry to get going, though in general I dislike starting the day. I first have tea and then, at about ten o’clock, I get under way and work until one. Then I see my friends and after that, at five o’clock, I go back to work and continue until nine. I have no difficulty in picking up the thread in the afternoon. When you leave, I’ll read the paper or perhaps go shopping. Most often it’s a pleasure to work.
[…]
If the work is going well, I spend a quarter or half an hour reading what I wrote the day before, and I make a few corrections. Then I continue from there. In order to pick up the thread I have to read what I’ve done.Anaïs Nin simply notes, in a 1941 parenthetical comment, in the third volume of her diaries:I write my stories in the morning, my diary at night.
She then adds in the fifth volume, in 1948.I write every day. … I do my best work in the morning.
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Gabby Bess has work appearing in [PANK] Magazine, 3AM Magazine, The Scrambler, Two Serious Ladies, Thought Catalog and various other publications. She is the author ofAlone with Other People
gabbygabbypoetry@gmail.com -
directed by
JOSEPHINE DECKER
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The new TENDERLOIN is here. With Nate Pritts. It is very good. There are poems, an interview, and sound.
It makes me feel less lonely. Much less lonely. They are other people out there.
check it out:
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A cat is always more than a cat. This cat is named Cynthia. Read about Cynthia here. It’s a new story by Moon Temple and it moved me in all the ways I like to be moved:
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Marcus Slease sits down with Everest Magazine to talk craft, influences, Polish surrealism, Americana and THE HOUSE OF ZABKA, out now from Deathless Press.
Just a few basic stats:
Born: Portadown, N. Ireland
Educated: Weber State Univeristy, Western Washington University, UNC Greensboro
Favorite Author/voice: Richard Brautigan, Samuel Beckett
Profession: Teacher of English as a foreign language
http://everestonline.tumblr.com/post/53433193690/marcus-slease-interview
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LOVE ALAN WATTS. HERE IS SOUTH PARK DOING ALAN WATTS. ALAN WATTS IS IN THE MACHINE. HE HAS THE BEST TALKS ON YOUTUBE.
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Cut random images from a random film on my hard drive. The film turned out to be THX 1138 by George Lucas.
I forwarded the movie nine times with the slidebar. I created a film still from each forward.
Nine frames.
Then flipped through the Book of Frank by CA Conrad. Copied seven random lines.
Flipped through The Trees The Trees by Heather Christle and copied two random lines.
Shuffled the nine lines from CA Conrad and Heather Christle in a magic hat.
Took each line out of the hat and placed them under the film stills.
Will keep playing.
Sometimes interesting things happen.
Other times maybe not.
It’s like life.
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Gonna read some new Polish prose poems at the British library tomorrow. Maybe ones about vikings.
The British library is a nice place. If you become a member they give you some white gloves and you handle some really really old books.
Looks like an interesting line up.
It’s called:
Dear World: Editors, Poets and Trans-Cultural Practice
Dear world. Trans-cultural practice.
YES!
I am thinking of the time I ate some very good noodles with my San Gyup Sal in Seoul in 2006 at 6AM. It was a good night and a very good morning. That was trans-cultural. Or trans something.
Here is a link:
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Nice review of Grzegorz Wroblewski’s Kopenhaga over here by Chad W. Post:
http://www.rochester.edu/College/translation/threepercent/index.php?id=8022
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1) Muzeum 1 Kolyska Cindy 2) Muzeum 2 Pomieszczenia i ogrody 3) Muzeum 4 Razem
1) Cindy’s Cradle, 2) Rooms and Gardens 3)Together
These paintings are part of a Grzegorz Wroblewski’s exhibition at the Museum of Literature in Warsaw in 2014. His first Polish exhibition after 29 years of living in exile!!! -
Kopenhaga by Grzegorz Wroblewki is one of those touchstone books for me. I mean the kind of book that sits on my best shelf with my favourite books of all the ages.
Surreal rooted in the everyday. Surreal rooted in the historical. Letters from a human being from the Milky Way but currently somewhere between Denmark and Poland (and many other places too).
The absurd grounded in memoir, in theatre, in language play, in characters, in setting, in personal suffering, in alienation, in existentialist philosophy, in punk music, in animals and shamanism and in underground documentary films. And more. Much more.
These are prose poems!
The absurd grounded in play. In NY School Poetics and the Brulion group that emerged in Krakow. (http://en.wikipedia.org/wiki/Brulion)
But it is also not Brulion or any other movement or group.
It is nomadic surrealism. Outsider writing.
It moves through this Brulion group and the surge in creativity in the city of Krakow to emerge on an immigrant ship in Copenhagen full of folks from Asia, Africa, central and eastern Europe etc.
It is the desire to start anew but never being at home.
It is also partly the punk aesthetic of 70’s and 80’s Warsaw.
It is cooked and it is raw. It is classical and it is energised rock and roll. It has some of the NY School Poetry the light touch of say Ron Padgett, the urbanism of Frank O’ Hara, and all the best of the Greek classics.
It is amazingly and lovingly translated into English by Piotr Gwiazda.
Piotr Gwiazda is one hell of a translator.
I even liked the introduction. I rarely like introductions. Kopenhaga has a nice introduction to the genius of Grzegorz Wroblewski.
It is an unlikely book.
I mean no machine could have wrote this book.
It is also folk music. I mean deep down folksy blues music.
Imagine a mix tape of all your favourite music in blues, folk, rock, punk. This is Kopenhaga.
Imagine Kafka in the late 20th and early 21st century mixed with your favourite 1st or 2nd generation NY School poet. This is Kopenhaga.
Imagine your favourite 1st generation European Surrealist (French, central European, or eastern European). This is Kopenhaga.
Imagine if Norman Rockwell wrote punk music. This is Kopenhaga.
Imagine a national geographic special narrated by Camus. This is Kopenhaga.
It sticks. It bears many many re-reads. It is not stuffy. It is heavy and light. It is everything I have always wanted from art. And more! Much more!I feel like re-doing most of my star reviews on Goodreads and reducing them to 4 stars so that this book is one of the few with 5 stars.
That’s how much I love this book.
I felt less alone after reading this!Buy it here:or here:(Statistics and Informatics by Grzegorz Wroblewski) -
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In ING bank Katowice. Hoping to poo soon in Poland.
There is a lot of pork in Poland . Some chicken. Very little beef. Sometimes fish. I am not really a meat man. I am fish man. A fish meat man.
Ewa is trying to close her account from two years ago. They take over two pounds a month for nothing. They are trying to convince her not to close . There is a lot of talking in Polish and the woman sounds very official. This has been going in for 20 min. I wonder when the lady will give up and let her close her Polish account. I am glad I am not there speaking broken Polish with my dictionary. It would take a very long time.
I want to release three days of polish kielbasa. Then I want to eat a polish donut . Maybe today we will go to downtown Katowice for real coffee. We have to find a place to buy a bus ticket. Everything is orange here in the ING waiting room. I am not sure about orange. I am learning how to type notes on my iPod in Poland. This us one of the notes. I still don’t have a smart phone. Maybe I will get a smart phone in 2014.
Sent from my iPod 10.41 AM. 27th August 2013.
At PKO Bank Polski. Ewa is transferring a building renovation savings toddler scheme into brothers name. It might take longer than ING bank. It is a polish bank. There are a lot of stamps and it is run in the old way . Before the fall of the wall . Or the parting of the iron curtain. I once had a bank account here at Pko bank polski. When I lived in Poland in 2007. In a smallish town called Rynik. One summer rybnik made their own money. It was rybnik money. Rybnik is related to fish in Poland. So it was a kind of fish money. Fishy money.
It took almost an hour to open my bank account at PKO in the little town of Rybnik. There was a lot of stamps and pages and pages of signatures. It was all in Polish of course. I had no idea what the Polish old ladies were saying. It takes a lot of work to do anything official in Poland. It takes even longer in broken Polish.
I ate at a milk bar every day in Rybnik. Meat, potatoes, carrots. Fruit drink with old fruit called Kompot. I like Kompot.
We have left PKO bank and are walking into the estate. The estate is called Manhattan. Two old men just walked by with a pram full of empty cans of beer. They are probably going to sell them to get full cans of beer. Another old man is at a fence cooing at chickens with a little girl. There are mothers on the playground with very tight jeans. They have solarium baked bodies.
Sent from my iPod. 12.59PM. 27th August 2013.
— marcus slease
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In downtown Katowice, on Mariacka Street, we met a woman on stilts. We were in a pub called Kato. Kato had well designed street art inside its plywood walls. It was a make-shift pub.
I drank my cold yellow beer. It was very fizzy and sweet and I held it by the handle. The Polish ladies around me drank their beer with long blue straws. Some of them had a thick sweet syrup added to their beer. In other words, the men were men. And the women were women. Mostly.
After my beer we went inside the plywood pub and I saw a large mural. It was a make shift mural in a make shift pub. It said: bear with me. It was a big picture of a friendly bear.
The young woman on stilts walked by and everyone got out their smart phones. I don’t have a smart phone but I have an ipod. It is only 5 megapixels but I took some pictures. Shortly after after the clicking of smart phones a gray bearded man walked by. He had about seven young people behind him. He yelled into his megaphone in Polish. In Polish he said: the image is the future. The image is a future. He said this many times and waved his arms like he was flying.
— marcus slease
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Homeless as a fly
you lactated on my tongue
– — – ———
a pillow by night
and a sack by day
now my petals
begin to fall
(from Mu (so) Dream (window). Written while living in South Korea, 2006. Published by Poor Claudia in 2012: http://www.poorclaudia.org/print_slease.php
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Last Christmas in Katowice, Poland I met a girl named Megi Szu and Lola in a Polish pub called Presja. They are Polish but they used English names. Or half English.
Szu = shoe
Megi = Maggie
——————————
maggie shoe
Lola = Lola
We sat on an old couch with plastic flapping in the wind. We talked about rice patties and being wet. Megi Szu lived with a man in Nepal. They both told me about getting wet. It was a mysterious wet. I learned a lot.
Here is a wee excerpt picked up by Thought Catalog:
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last time I was in Katowice it was Christmas. I sat in a little room with a giant snowman and lots of Russian dolls and wrote a flash fiction about Polish beavers. It was a story about my impressions of Poland and globalization. The Poles can do Gangnam style like no other. The story is in the mag Sprung Formal. It’s called I love Beaver:
The little room has been renovated. It has merged with the front room. The giant snowman is hibernating in a box somewhere. There are still lots of Russian dolls. I am looking at hundreds of Russian dolls as I am typing this and sipping Turkish coffee.
This morning I finished American Gods by Neil Gaiman. It was an OK book. Somewhat entertaining. Not fully satisying. I had to finish it to get to the good stuff. The good stuff is Sam Pink. I am ready to read Sam Pink in this room full of Russian dolls in Katowice, Poland. It is a good place to read Sam Pink.
The room is part of flat which is part of a block of flats in many blocks of flats in an estate called Manhatten. It is not Manhatten. It is nothing like Manhatten. It is the Queens of Poland.
It’s time to finally wash my hair in Poland. The last time I really washed my hair was in Alicante Spain three days ago.




























































































