A Hut is Constructed of Loose Stones
A Hut is Constructed of Loose Stones
trying out wordpress for the simple look . . feeling minimal . . . might migrate Never Mind the Beasts over there:
never mind the beasts has going on blogspot since 2004. Gonna see what word press can do . . .
My right knee is popping it has popped before but it is really popping and when it pops it is a painful pop. I’m afraid of it exploding. My left knee also pops. It is not a painful pop. After the pops in my right knee my leg gives out or up. I can’t put much weight on it. In 1995 it blew up like a balloon. I don’t remember a pop.
Now here’s an ear . . .
Don Yorty reading “Poet Laundromat” in Philly’s Chapterhouse Cafe
Tim Atkins reading at Maintenant Croatia event. Innovative British and European poetry organised by SJ Fowler. Thank goodness we have it!
poem written from a prompt in new issue of HOUSEFIRE. Check it here:
“Kenny Goldsmith was correct in saying that poetry is fifty years behind visual art. Both he and the poetry foundation are, in a certain respect, the vanguard of poetry as it enters a phase wherein its absolute nullity is realized and becomes immediately displaced into these forceful gestures of grandeur which are not too different within the symbolic order from a middle-aged crisis sports car purchase. Visual art assumed the cool smile of complicity decades ago. It’s about time that poetry caught up.” (Brooks Johnson)
So what are we, who care, to do?
How do we rise up?
What is poetry and how does it relate to revolution? Of the mind? Of the “spirit?” Of the socio-economic sphere?
Check out this terrific interview with Brooks Johnson (by Linh Dinh):
poetry foundation and corruption
This makes living in the U.K. worthwhile. One of my favourite living poets. He is an unforgettable reader/performer.
check it!!!
Poetry and interview over here.
interview with British poet Jeff Hilson
some sample poems from Rinker with the interview:
The Claudius App is proud to announce the publication of César Vallejo’s “Lost” Interview, published in the Heraldo de Madrid in January 1931, recovered, translated, and generously annotated by Kent Johnson. Over coffee with the Heraldo’s interviewer (Q: César Vallejo, why have you come here? CV: Well, to drink coffee.), Vallejo discusses precision,Trilce in relation to its predecessors and contemporaries, and a non-extant then-forthcoming volume of poems, The Central Institute of Labor. This is the sole record of the great poet’s conversation, and the first appearance of it, unabridged, in English.
remixed from my journals and notebooks from travel, 18th century travel handbooks, current music on the spin (this one was influenced by Le Tigre), Basho, Herodotus, Buddhism, google sculpting, and of course memory . . . mapping new maps into the present rather than clinging to the past. . . another attempt at an expansive poetics to move away from the constricted mind and ego . . .
this one was re-sampled, re-mixed this morning . . . Milton Keynes and Bletchley . . .
Tossing at night in their own traps. I couldn’t cut a straight line. In this corner of Europe one sees little in the light. An Englishman does not travel to meet an Englishman. In a place that used to be a monastery more than 55 languages are being spoken. We are only looking at the chaise. A man can churl on the sign. You suffer Mon. Dessein. Table tennis at the Bletchley swimming pool. Hot chocolate comes from the machine. The stuffing was coming out of the sleeping bag. It is a dead man’s bag from World War Two. Who shot J.R. Ewing? Being but a poor swordsman I led her up the door to remise. Curse be my gods. Curse . . one two three four. I have withdrawn my hand from across my forehead. We are all ninjas in a cobweb. I fancied it. The characters from a widowed book. Who took the ring from the ram-a-lang-a-ding-dong? Pulling out my tour. The poor monk does not blush. Edit. Remix. I have laid my hand upon your cuff. Sprightliness the prey of sorrow. The poor monk does not blush. Off-setting the new vineyard. We met at the Coffee Hall housing estate. There is no nation under heaven.
2nd revision with some splicing/sampling from my own travel notes from living in Turkey. The other versions were from a 19th century handbook of travel.
Today I am a rouged dowager. After getting up, I, maid of the paternity lie, will climb on the face, powder on the cheeks and the palm and paint a little rouge. I have come out from the refuge of Bilkent. To break wax to break the oozing from the nose I have covered my face with white cake make-up. Patches of cherry rouge on my cheeks and lower lip.
Is drunk a kind of weather? Grandmother Jean has cut the cards. Miles and miles to the stepping stone. I am in the hot house with a white kilt. I confuse my lover for the kettle drums beating for Ramadan. I have slept on my rectum at Eski Yeni.
Do you think of us as a family? The Turkish eye has followed me. A very fat man is repairing the highways. Oh little girl little girl little girl the men here are lonesome too.
Looting is a purple pose.The Greeks have called on the saints but the see-saws are rusting. I meant to write east but mis-typed feast.
The photons of happiness are scraped from a licking horse.
The bark on the trees are forming a painting. This is where I sleep. Ears and hands are hazards.
The Turkish salute is a slight inclination of the head. A hand on the breast. Between continents and between loves I’m working with two blunt pencils. The windmills are squeezed against the mountains. A bright fluid circulates among the soldiers. They are roasting rebels in the snuffbox. I’m carrying a flagpole without a flag.
from Dzanc Books:
A Question Mark Above the Sun
Grace to be Born and Live as Variously as Possible
——
some ridiculous policing by the NEA. Well behind the times:
Still revising The Heyday. Lots of re-seeings, re-readings, re-samplings, mixings and so on.
The Heyday (2005-2012) is travel writing. Basho. Walt Whitman. Herodotus. 18-19th travel handbooks, Buddhism, ethics and suffering and so on.
My experiences in South Korea, Katowice Poland, Elblag Poland, Ankara Turkey, Rome yadda yadda . . . .
Sometimes living in extreme circumstances without contact. Sometimes less extreme.
Creative translations from books and life and memories and experiences . .. blurring the lines . . . getting slippery . . . all writing as translation . . all words as already in the public sphere . . . including all poetry . .
The above picture is from visit to a Buddhist temple in South Korea in 2006 (Bongeunsa).
My hands are spread out for different turn-tables, mixing decks and so on.
Lots of books spread out on my table. Including my notebooks of travel notes and musings and poetry scraps. Travel handbooks from 18th century. Various 20th century books of poetry. Basho and Herodotus. Sometimes the music of what I am listening to makes it in the poem as well.
The present and the past collapse.
Here is one still in progress from one section of The Heyday called The Hermit Kingdom (South Korea 2006). Written 2006. Revised through the years.
A bit of Mr. Lautreamont in 2012 gave me the goading I needed . . .
He will perhaps goad me some more!! It is not yet finished:
The end of week is coming fast. It has been my spring break. I got an HIV test (negative), some blood tests for all sorts of goodies (awaiting), vision test (and a new pair of glasses coming in two weeks), 20 new poems (and revisions). So a health check and writing week.
Got two terrific books in the post today. Matthew Henriksen’s Ordinary Sun (from Black Ocean) and Ariana Reines Coeur De Lion. Last week I got Destroyer and Preserver by Matthew Rohrer (Wave Books).
So when the madness starts next week with 3 hours of daily commuting, I am well armed with mighty fine books!!!
Next week I will be going to a Vispo celebration/exchange with 75 or so poets. SJ Fowler has put it together.
Ewa and I are working on Freudian supermarket comics (from Spanish Fork) for the occasion.
Tomorrow I’m reading some Grzegorz Wroblewski (translated by Adam Zdrodowski) and Yu Jian (translated by Ron Padgett) in East London. Calvert Gallery. Off Press.
I am reading in the second half as part of Steven Fowler’s Maintenant Series. Other British poets reading translations are: Gabi Labi, Patrick Coyle, SJ Fowler, and Tim Atkins.
Here are the details if you around (from the main organiser Marek kazmierski from Off Press):
The event is the culmination of a two-month contemporary arts programme at the Calvert 22 gallery in Shoreditch, and we want to round things off with an intelligent and impassioned bang.
I will start by screening a tiny clip from a Polish political gangster film, using it to develop a discussion on untranslatability.
Next, we will have a slot called “Polish literature around the world in 80 seconds”, looking at the myriad of Polish writers who went into exile in the 20th century (and mostly never came back), the literary, historical, gender, ethnic and other aspects of this flood of “lost” writers.
The following discussion will be led by Dr Ursula Chowaniec from UCL/SSEES, who has written a lovely critique of both Wioletta Grzegorzewska’s book and the introduction in it.
Then we will read some of Wioletta’s poems,
Then drink some wine, smoke some fags, sell some books…
Then we turn over to Maintenant Series – taking the celebration of translated verse beyond my tiny publishing house and opening it up to new languages, interpretations and possibilities.
marek kazmierski
http://www.off-press.org

Japan is very clean.
乗れ そおn
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the possibility of warmth & contact
in the human relationship : as juxtaposed against the materialistic pig of a technological world, where relationships are only ‘useful’ i.e., exploited, either psychologically or materially. 20, the possibility of s o n g within that world: which is like saying ‘yes’ to sunlight. —————————————————————————–
YES YES YES!!!! This makes me want to write! See more over at Jacket Magazine:
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re-enjoying The Louisiana Purchase. Purchase The Louisiana Purchase if you haven’t purchased it already!!!
fab review here (one of many):
A big thanks to Michael Zand for such an insightful review of my book and work and also Tom Chivers for publishing it in the magazine Hand+Star:
There is nothing new under the sun
etc.
last night 15th Feb 2012
The OPEN Ealing Arts Project (113 Uxbridge Rd, London W5) presents its first OPEN poetry event on Wednesday 15 February 2012, which will comprise readings from guest poets plus an open-mic session.
CHRISTODOULOS MAKRIS put together the line-up for this inaugural event – which OPEN aims to turn into a regular series – Christodoulos Makris, SJ Fowler, Marcus Slease and Cherry Smyth are reading.
Start time is 8pm and admission is free.
Me and Peter Jaeger. re-worked 1950’s science fiction story complete with hymn
fantastic late 70’s songs!!!
dedication to Stacy Doris
A great reading here by Tim Atkins with a tribute to Stacy Doris.
fantastic night last night!!! Rich Mix in east London. In the heart of hipsterdom!
Collaboration of U.K. poets!!!!
Some samples above!!!
Special thanks to Steven Fowler!!! Fab poet plus event organiser extraordinaire!!!
The Dutiful Son
special thanks Joel Oppenheimer
tweedle de dum dum
this is a sliding pond sonnet
I should be hung but instead I’m horny
and doing research on celery
if you were a plum tree
if you were a peach tree
(to be continued)
reading at The Windmill. Brixton. London. 4th Feb 2012.
reading at this tonight in Brixton. Revised version of Vale Tudo poems . . .
if you are out and about in Brixton come check it out:
A STUDY OF A HORSE FOR DOCTOR MARABOUT:
http://the-otolith.blogspot.com/2012/01/grzegorz-wroblewski.html
check it out!!!
books checked out from the British Poetry Library for the week:
1) Prose of the Trans-siberian by Blaise Cendrars (trans by Tony Baker)
2) Just Space by Joanne Kyger
3) Kodak by Blaise Cendrars (trans by Ron Padgett)
also re-reading for third time:
3:15 by Bernadette Mayer, Jen Hoffer, Danika Dinsmore, Lee Anne Brown
(amazing book!!!)
read the preface here:
new shearsman book on the poetry of Araki Yasusada
A little background here:
http://jacketmagazine.com/09/yellowbody.html
IN SEARCH OF THE AUTHENTIC OTHER: THE POETRY OF ARAKI YASUSADA by MARJORIE PERLOFF
Doubled Flowering: From the Notebooks of Araki Yasusada was one hell of a book. A must for the collection.
Buying this book of essays soon!!!
An excellent review of the nomadic poetics of Grzegorz Wroblewski in Jacket 2.
Read it here:

Spicy frozen pizza for Christmas dinner. A 4AM taxi pickup to Heathrow on Boxing Day. London-Paris-Salt Lake City. Drinking Melissa Tea. It was my favourite tea when I lived in Poland. I have finished The Fertility Show (formally Nerve Movie). Sent it off to a publisher or two. Will have to wait a few months.
The Fertility Show takes it cue from Phillip Whalen’s idea of a nerve movie and Bernadette Mayer (esp Midwinters Day). Written during my daily 3 hour commute on the London underground. It is a poetics of everything. Inside and outside. Biographical, narrative, expansive poetics, compact lyrics, NY School send offs, homophonic translations of Polish and German from overheard conversations on the Piccadilly Line etc. etc.
A poetics that attempts to narrow the gap between art and life. I don’t see any other point.
Another Godzenie (with many many more strategies, modes, attempts to reconcile). A practice in mindfulness.
The poems are written on the tube in London but “take place” in Poland, Turkey, London, Milton Keynes, Las Vegas, North Carolina, Bellingham/Seattle.
A continuous nerve movie.
The other manuscript Smashing Time is also finished.
Now I will continue part two of a manuscript I started last time I was in America. It is called Spanish Fork.
My poetics is a travel poetics. But not in any narrow sense of the genre of travel writing. Orally based But not bardic.
It is also a kind of surrealism.
Let’s call my life project a nomadic surrealism. If it has to be called something that is maybe the closest. There are of course various other elements.
It lives much more off the page than on (methinks). The rhythm of everyday speech is very central.
hm . . . . and the slippery mind . . . quicksilver . . .
I dabbled heavily in flarf in 2004. I dabbled heavily in conceptual poetics as well. Surrealism and political poetry were the entry points into writing poetry.
Now it is many many things. But mindfulness is especially central. And an expansive (rather than constricted) sense of the self and the world.
Cold toes and cold hands in Wood Green. Trying to save on heating.
Smashing Time is done and needs to find a home. I am 60 pages into Nerve Movie (poems written during my commute on the underground from Wood Green to Hammersmith then Hammersmith to Richmond).
When I first came to London in 2008 I had high expectations. Expectations of home. Expectations of coming back to the world of poetry. It was tough year. I had to adjust my expectations. I had lived too long in North America to expect to find a sense of home. Something about coming back to where you come from and finding it is not the same place at all. My mind creating narratives and images of Northern Ireland and the U.K. Childhood. No matter if we stay in the same place all our lives we still travel. Childhood.
On my second return to my country of origin (in December 2010) I had less expectations. I wanted to re-connect with the poetry world. I wanted to do readings. I wanted to settle down and get more comfortable and re-start my library. I missed having a library in my world travels. I missed having a sense of place. At the end of six years of world traveling and living very feebly at times out of one suitcase, I wanted to just allow myself to feel some of the comforts of a more settled life.
So here I am. One year into my second go at London. I lived in London when I was seven or so. First in a homeless hostel. Later in Elephant and Castle. This was the 80’s. It wasn’t a good time to have a Northern Irish accent.
This time I have found some good friends. I have found what I love about writing and poetry. Call it a world view. An epistemology? Kenneth Koch, Philip Whalen, Bernadette Mayer, Tim Atkins, Lisa Jarnot, Jeff Hilson, Cathy Wagner, Peter Jaeger, Steven Fowler (especially Minimum Security Prison Dentistry and his Maintenant Series of collaborations and readings of U.K. and European poets).
These are a few of the writers and artists that matter most in terms of living my life. Their work is intimately connected to how I experience life.
And writing through what I love. I have seen this especially in the work of Tim Atkins. And getting out of the way. I have seen this in the various exciting conceptual work of Peter Jaeger. And being child-like in terms of curiosity. Letting everything come in. Including the risk of humour. I have seen this in the work of Jeff Hilson and Tim Atkins. Plus the punk poetics of Cathy Wagner. And the life writing life of Bernadette Mayer. And letting in the multiplicity of voices in the work of Hannah Weiner. And the nerve movies (quicksilver moments of being) of Philip Whalen.
I am having mint tea. It is time to grade final exams. London is not really a home. Perhaps it never will be.
But then again my mindfulness practice has benefited a lot since I have been here for the last year. And I have grown much more comfortable with the North American part of my cultural background. I have learned to create my own America through exile. I thought myself an exile from Northern Ireland when I lived in America. Now I realise my choices are much wider. Much more varied.
I am from the Milky Way.
Good friendship are vital. Writing is vital. Books are vital. Love is vital. Mindfulness and compassion are vital.
And so it goes . . . .
Every entry on this blog starts with a hyperlink called text. It is the default setting.
diggin this prog rock band from copenhagen:
some of my poems from manuscript Smashing Time in new issue of the Norwegian magazine La Granada
covers project . . . Bernadette Mayer’s Maple Syrup sonnet . . . north London . .. near Horse Hospital . .
Jeff Hilson reading the other night for Steven Fowler’s book release of Minimum Security Prison Dentisry at the Horse Hospital in North London. Great evening. Many fine readings !!!
Steven Fowler reading the other night for his book release of Minimum Security Prison Dentisry at the Horse Hospital in North London. Great evening. Many fine readings !!!
Tim Atkins reading the other night for Steven Fowler’s book release of Minimum Security Prison Dentisry at the Horse Hospital in North London. Great evening. Many fine readings !!!
Holly Pester reading the other night for Steven Fowler’s book release of Minimum Security Prison Dentisry at the Horse Hospital in North London. Great evening. Many fine readings !!!
reading the other night for Steven Fowler’s book release of Minimum Security Prison Dentisry at the Horse Hospital in North London. Great evening. Many fine readings !!!
I take the liberty of forwarding this post by Ian Keenan. It concerns John Barr, the President of the Poetry Foundation. It appeared today at Montevidayo blog. It might give some “context” for comprehending why the Poetry Foundation Board is so loose and fast about trying to arrest and send to prison young poets who peacefully protest in the PF’s $21.5 million sanctum.
*
Some info on Barr:
1. “The Illinois State’s Attorney is looking into allegations of poor “fiscal practices, conflict of interest, nepotism and playing fast and loose with the rules of charitable organizations” (concerning the Poetry Foundation)
2. “Penny Barr, wife of John Barr, who admits she is “not versed in poetry,” was paid $23,000 by the Foundation for setting up a poetry contest.”
3. “The Poetry Foundation also plans to build a $25 million mansion in the Gold Coast with accommodations for visiting poets of its choice and a stage to host readings on. An ex-trustee accused the Foundation of acting like a “private club” and using Ruth Lilly’s money for “personal gratification.”
source: http://chicagopoetry.com/modul…
4. The company Barr founded, Dynergy, frequently likened in business columns to Enron, paid out a $3 million fine for accounting fraud (after Barr left as an executive) and a US Attorney said in a letter “We have become increasingly concerned that Dynegy’s `cooperation’ is more apparent than real.”
5. John Barr donated the maximum to Rudolph Giuliani in early 2007, a month after Giuliani declared his candidacy. Giuliani’s accomplishments as mayor of NYC including a smear campaign against contemporary artists and the Brooklyn Museum that displayed them, attempting to defund the institution. Soon after Barr’s donation, Giuliani named as his foreign policy adviser Norman Podhoretz right after he published the book World War III which advocated a global war, who in a previous life as a literary editor engaged in critical attacks against Allen Ginsberg and Jack Kerouac.
6. Barr’s current company is lobbying foreign governments, mostly Spanish speaking countries in the hemisphere, to privatize their natural resources on behalf of his clients.
7. Robert Pinsky takes credit for selecting Barr for his position.
My chapbook Smashing Time is now available for free (digital version). Thank you MIPOesias.
This book was written shortly after returning to live in London. From 2010 to 2011. Influenced by NY School poets (Kenneth Koch, Bernadette Mayer, and Ted Berrigan mostly). Also the buddhism and writing of Philip Whalen. Also my poet friends Tim Atkins and Jeff Hilson.
Ah we are never alone my friends.
Smashing Time is part of my ongoing nomadic surrealist project.
download for free . . . or buy print version if you so desire . . .
art by Grzegorz Wroblewski
poems by Marcus Slease
from Smashing Time:
a set of post-punk visual poetry ceramic tile coasters by Grzegorz Wroblewsk ……………… YIPPIE!!!
taking a 12 hour bus from London to Amsterdam. £30. Delayed summer holiday. Staying on a boat called the Gandalf. Free breakfast included. Never been to Amsterdam. Goin on the cheap. It was Amsterdam versus Bath. Tickets were the same price on the bus. Writing The Fertility Show. Will see what comes up with in Amsterdam. Maybe I am writing one big book split into smaller books.
zimZalla object 011 will be Deuter Kelner, a set of post-punk visual poetry coasters by Grzegorz Wroblewski. Each coaster measures 9cm x 9cm. Available individually or as a complete set of six. Ideal for the dining room, scullery or mead hall. Out and available to buy on 1st November.
Recieved Murat Nemet-Nejat’s The Spiritual Life of Replicants. Blade Runner. Skin jobs.
Also Seyhan Erozcelik’s Rosestrikes and Coffee Grinds.
This is the real deal. This Turkish poetry needs wide wide circulation among poets and non-poets. Can’t wait to dig in!!
Also some Ozdemir Asaf over here:
http://www.archipelago.org/vol6-2/asaf.htm
Covers project . . . Musa Mckim
it was a nice reading and collaboration with Tim Atkins. Comic book poetry. Check it out over here:
A foundation for poetry???? NOPE!
A dishonour to the works of the great poets it houses in its dead museum.
As Frances Kruk puts it so well. The Multi million dollar building of the Poetry Foundation is:
an homage to the glass temples of skyscraping capitalism. All of these spaces are gated and intolerant to the disobedient, the dreamer, the dissenter, the whistle-blower. Imagination and dignity are curbed or even forbidden. Rather than taking what a person might be objecting to into serious consideration (in this case, the PF’s corporatism, its lack of principles, and its contempt for the arts it claims to be home to), external punitive measures are employed to control the “offenders”.
Raúl Zurita was the guest of honour at the Poetry Foundation when Stephanie Dunn was assaulted by the representatives of the Poetry Foundation (Chicago) and sent to jail for honouring the work of Chilean poet Raul Zurita.
The poetry foundation should be ashamed of their actions. Zurita expressed his support of the actions of these young poets and the Poetry Foundation honours his work by attempting to jail one of his supporters?????
What contradictions! Or not!
This in from Kent Johnson.
A substantial article (October 4th) on the Croatoan Poetic Cell action in La Tercera, one of Chile’s leading newspapers. The article is excellent, in fact, as summary of the event.
The Comarade Project. Collaborations between U.K. poets. My Collaboration is with one of my favourite all time poets: Tim Atkins. It’s a poetry comic.
Available now. Here is the announcement:
Delighted to announce the latest limited edition chapbook from The Red Ceilings Press…Maintenant: the Camarade project featuring Tom Jenks & Chris McCabe; Patrick Coyle & Holly Pester; Sam Riviere & Jack Underwood; Sandeep Parmar & James Byrne; James Wilkes & Ghazal Mosadeq; Emily Critchley & Tamarin Norwood; Sean Bonney & Jeff Hilson; Marcus Slease & Tim Atkins. With an introduction by Steven Fowler. £5 inc P&P (UK)
get it
hot hot hot here:
The Comarade Project
I am One Hundred Times More A Pale Apple Dream
(dear Ted and Clark, Hello)
my belly
I mean love
This Time We Are Both
a toad in the hole
my flake my flake and my furrow
all of them milking
green machines
Duran Duran
Love Cyclops
(for Piero Heliczer)
the vaginas of birds in burnt grass in Milton
Keynes
my feet as they entered the reeds
stone stone
or so I have heard
heaven is a pebble
in the eye signature
eye weeping bird baths
her bobby pins
her bobby
this bear day
there are no bears
it scares me
joints in the grass
sure can
sugarcane
faded blue jeans
on my wilting face
in Patagonia answer me