Never Mind the Beasts

Website of surreal-absurd writer Marcus Silcock

  • July 1998. “Nine Holes” Translated by Malcolm Sinclair.

    http://krzysztofjaworski.blogspot.co.uk/2014/07/dziewiec-dziur.html

  • GENTLEMEN

    (POETRY, MUSIC, FILM COLLABORATION FOR UPTIGHT)


    DIRECTOR: Graeme Maguire
    ASSISTANT DIRECTOR: Sarah Maguire
    POETRY: Marcus Slease
    SOUNDS: Annie Gardiner of Hysterical Injury
    STARRING: Rick Hambleton, Natalie Brown, Mo, Jamie Lindsay
    THANKS TO: The Cube, Scubaboy Inc, Floating Harbour Studios, Geneva Stop


    check it out:

    //player.vimeo.com/video/100253149 GENTLEMEN – Short Film from Graeme Maguire on Vimeo.

  • hangin in old moorish streets of Grenada. Reading Lorca in NY while I am in Grenada. Bones on fire in 40 degree heat but can´t type worth a damn on ancient devices.

    Nuts with white wine on the lower east side of Grenada.

    4.20am. This was glowing in the sky.

  • “Too hip for the squares and too square for the hips is a category of oblivion which increasingly threatens any artist who dares to take his own way, regardless of mass public and journalistic approval. And how could it be otherwise in a supremely tribal civilization like ours, where even artists feel compelled to band together in marauding packs, where the loyalty-oath mentality has pervaded other Bohemia, and where Grove Press subway posters invite the lumpenproletariat to join the underground generation as though this were as simple a matter as joining the Pepsi Generation which it probably is.” (from Obituary essay for Frank O’ Hara by John Ashbery)

    I write mainstream poetry. So did Frank O’ Hara. So does John Ashbery. So did Allen Ginsberg. And Diane di Prima.

    All my heroes are mainstream poets.

    They are writing squarely in their time (this is sometimes mistakenly called AHEAD OF THEIR TIME)

    They are/were at the centre of contemporary life.

    NY School poetry is sometimes called neo-avant garde. Or non-oppositional avant garde.

    The branding of avant garde, bohemian, underground, alternative etc. has increased since the 1960’s. In music. In clothing (see Brick Lane in East London). And yes, in poetry, even though it is barely a blip on the radar of contemporary British culture.

    On the other side, the so called mainstream, maybe 80% of the so called mainstream British poetry is stuck in the 19th century. The other 20% is just plain boring!

    But that might be slowly changing as people might be reading poetry after Eliot. Outside of academies (And A levels and whatever levels).

    There is not much interesting British poetry in the later half of the 20th century so maybe that’s why so many poets are still attempting to write like the British Romantics. Or very narrow confined identity driven poetry. YAWN!

    But an in-between is happening here. See Nathan Hamilton’s anthology Dear World & Everyone In It.

    It has potential. It might become interesting.

    The anthology got criticised for not being true to the avant garde tradition in British poetry. For not being true to mainstream British poetry.  For mixing shit up. It was doing something different. Playing a different game!

    NY School poetry was playing a different game too!

    Of course, there were problems with the anthology in terms of decontextualizing the communities of poets. Community is vital to the arts! Always has been!

    But . . .

    It seemed a move in an interesting direction!

     Frank O’ Hara, and all the poetry I look to, moves beyond the narrow confines of this or that category. This or that branding. They try to take in everything in their poetry. Contemporary life. The world.  EXPANSIVE POETRY.

    Most British poetry is narrow, small self identity driven and pastoral etc.

    But most of all IT IS DAMN BORING! Unfortunately a lot of North American poetry is getting more and more boring too (via professionalization competency driven creative writing programs and professional organisations and the contest/award culture).

    But maybe that is the way it has been for a very long time. Most poetry is YAWN  despite the hundred of thousands of books of English language poetry published every year. WE JUST HAVE EVEN MORE SHIT NOW THEN EVER. ALL THE GOOD SHIT COMES FROM IN-BETWEEN JUST LOOK AT THE SANDWICH.  POETRY IS NOT BREAD IT’S JAM! JAM MORE POETRY!





  • Awesome exhibit coming up in Warsaw Poland. The first big exhibit of the artist and poet Grzegorz Wroblewski in his home country after many many years of exile.

    Gonna check it out in August.

    You can see both conceptual and psychedelic paintings there.

    Gonna be historic!

    Opening day 6th August 18:00. Until 28th September 2014. 

    Muzeum Literatury in Warsaw.


    Check it out:

    http://muzeumliteratury.pl/program-merkury-grzegorz-wroblewski-nowa-odslona/


    (painting: Grzegorz Wroblewski. 

  • Big event celebrating Hrabal tonight at The Horse Hospital. A unique space in London under threat (as all good art spaces in cities usually are).

    If you are in London, come out tonight and support The Horse Hospital. And hear some fun performance poetry, theatre, paper sculptures, and mighty fine shenanigans!

    I will be performing two poems using Hrabal’s Closely Watched Trains and Too Loud A Solitude.

    8PM. Horse Hospital. Near Russell Square tube!

    http://www.thehorsehospital.com/now/cabaret-hrabal/

  • FROM MY NOVEL IN PROGRESS THE AUTOBIOGRAPHY OF DON WHISKERS.

    THE COLLEGE DAYS OF SEARCHING FOR MYSTICAL TREASURES . .

    A RECORDING/READING OVER AT SOUNDCLOUD:

    https://soundcloud.com/marcus-slease/from-never-mind-the-beasts

     

  • “There weren’t enough gumdrops in the shop to feed the dopamine and keep him to me. My blue-suited brother had gotten wise and hid our mother’s loot on his token visit home. So when the need jerked Andrew stupid, and he got rabbit in his blood, I said, How about you hold onto me and shoot your load on my ass? If you want.”

    CHECK OUT THE RAD STORY BY DANI SANDAL OVER HERE AT PANK:





  • SJ Fowler organised it all. WOW! What a night!!

    And lots more poets reading on the night  . . . check ’em out over at youtube:

    https://www.youtube.com/watch?v=om1Qq2Ekhhk&index=1&list=UUH-fLGyt8YZrtNctaU1OauQ

  • Here is Philip Terry. An member back in the day of Oulipo. He puts Tim’s Atkin’s poems from Petrarch through a music box. It is very interesting.

     

    Tim Atkin’s Petrarch is available from Crater Press over here:

    Crater 27: June 2014. Tim Atkins, Complete Petrarch.
    Atkins Collected Petrarch / Petrarch Collected Atkins. All of Petrarch translated / transfigured / transplanted by Tim Atkins – a hallucinogenic, euphoric striptease of a traductory odyssey. 550 odd pages of pure lyric gold.  £16 + p&p
  • Holly makes her own spin on Tim Atkin’s spin on Petrarch. Oh yeah!

    and many more readings over here:

  • The awesome Jeff Hilson reading from Tim Atkin’s Petrarch:

  • Crater 27: June 2014. Tim Atkins, Complete Petrarch.

    All of Petrarch translated / transfigured / transplanted by Tim Atkins – a hallucinogenic, euphoric striptease of a traductory odyssey. 550 odd pages of pure lyric gold. [Not letterpressed.] £16 + p&p

    http://www.craterpress.co.uk/


    Lot’s of London poets reading from Tim Atkin’s Petrarch last Saturday. Terrific night!!! One of the best readings I have ever experienced!!


    I read Sonnet 12 and Sonnet 365

  • Reminds me of the amazing plays of Kenneth Koch. But with a Tim Atkins twist. It doesn’t get any better than Tim Atkins!!!

    Amazing launch of his Petrarch at Rich Mix last Saturday. You can get the magnum opus (plays, poetry, outsider art and more) from Crater Press. Freakin brilliant. NY School Poetry meets British innovative poetry. The finest!!

     

    Here is some info on Tim Atkin’s book from Crater Press:

    Crater 27: June 2014. Tim Atkins, Complete Petrarch.

    All of Petrarch translated / transfigured / transplanted by Tim Atkins – a hallucinogenic, euphoric striptease of a traductory odyssey. 550 odd pages of pure lyric gold. [Not letterpressed.] £16 + p&p

    http://www.craterpress.co.uk/

  • by The Clash featuring the poet Allen Ginsberg (from the album Combat Rock, 1982)

  • by Zarina Zabrisky

    Buy the awesome chapbook from TREE KILLER INK here:

    http://www.epicrites.org/tree-killer-ink.html

  • Dani Sandal’s freakin awesome tale 97%. Listening now and it is mighty mighty good!!

    The failures of pops. Jesus/God. Daughter/father. Pre-detox love. 3% unsure.

    “The secrets are still buried deep by bull’s ass. But we rocked out and flayed asphalt. Thin Lizzy. There is no band worth a nickel, my pop believes, who hasn’t had a member OD.”

    “I AM BINGHAM, FATHER TO OLIVIA. HERE TO BE SAVED”

    “I gas it and drive around the block for awhile with the radio fritzing out to Johnny Cash, Ring of Fire — Down, down, down.”

      “Pop doesn’t have any fashion sense when it comes to women’s attire. I’d gotten dolled up to see him off: My best black mini. Disco-dish. I even rolled my hair the night before. It was big.”

    “Ground steak, chuck steak, cube steak and Moon-Pies. Rent’s paid up for the month.”

    AMEN!

    CHECK IT OVER AT ADROIT JOURNAL:

    http://www.theadroitjournal.org/issue-nine-dani-sandal

  • Coming of age 3d glasses scary breast story over at Referential Magazine. Olive and Prue waiting lady like in church for their last picture show. Faye Dunaway. Textured and layered with word pleasures. The awesome Dani Sandal.

    Check it:

    http://referentialmagazine.org/dani-sandal/

  • Got some surrealist/fabulist prose poems written in Poland 2008 and 2012 in the new issue of Likewise Folio . 

    Check it out at :

     

  • THREE KICK ASS POEMS BY NICHOLAS GRIDER OVER AT SHAMPOO. CUTE AS A TICK:

    http://www.shampoopoetry.com/ShampooTwentytwo/grider.html

    (art: Nicholas Grider)

  • Chris Kraus’ I Love Dick is opening a space for me to exist in. To move around in. She says,

    “Reading delivers on the promise that sex raises but hardly ever can fulfill- getting larger cause you’re entering another person’s language, cadence, heart and mind.”

    And that’s when I feel most alive. Expansive writing. Expansive reading.

    But the so called personal is there. And that’s what NY School poetics, Eileen Myles, Michelle Tea and others have given me. A space. A permission. A recognition of the complexities of being male. I’ve never been an insider of those big powerful worlds of writers and artists. I hadn’t felt completely at home inside those insulated walls of power. The towers of HSBC or the towers of Cambridge university.

    “Because we rejected a certain kind of critical language, people just assumed that we were dumb” says Alice Notley. These spheres. These permissions. In Revolutionary Letters, 1971, Diane di Prima wrote “I just realized the stakes are myself.” And that’s where I am. The self is performative. The personal is critical. Men are taught to move away from the personal into the universal. The objective. To find and unlock the big secrets of knowledge. The greatest secret is that there is NO SECRET!

    Since the death of my brother, the personal has become more and more the subject of my art. And not the personal as locked in place. But moving. In motion. And full of doubt and questions. The personal full of uncertainty. An attempt to move closer to reality. Intersubjectivity. I am wrong a lot. Being sure of your self is a sign of male power. It is the president of whatever country. And that power is also a prison. Is certainty a freedom? It might be a privilege but it’s a trap. It’s not freedom. “Isn’t the greatest freedom in the world the freedom to be wrong” writes Chris Kraus in I Love Dick. And I say yes. I cannot mansplain. I never been one for mansplaining. Acting like I know something. I see it all the time. It is not limited to men at the university where I teach. Where does it come from? This need to be objective? Science. Hard science. Why is hard better than soft? Why is aggression celebrated and softness a weakness? Stubbornness and conviction a sign of strength and uncertainty and doubt a weakness? Do we all need to become hard to survive in this world we have created?

    When I watch a Brooke Candy video it makes me feel because I have more freedom to move. Like the role of aggressor and predator in being biological male is less static. It’s being played with. It is reframed somewhere else. To the point of absurdity. But absurd for who? Are these gender codes being questioned in a Brooke Candy video? Or is just flipped onto other side of coin and thus the same coin?

    Men need to part of the discussions on gender. It is a whole system of traps and signs and straight jackets. But we need honesty. The media perpetuates data. It is trying to be hard science. Hard facts. Us versus them in whatever context.

    How do we get out? What are we getting out of? Duty? I want to get out of my duty. To my gender. I am between genders. Between classes. I can pass for the dominant one.  A white male. Almost middle class. But not really. The complexity is a simple one. It’s a spectrum. Can we go there?

    What if everyone woke up to the game? Then what? End of game. No game. Another game or end of life.

    We keep trying to fix this game. It’s not working. Can we play another one? How much of life is performance? All of it? What isn’t performative?

    https://www.youtube.com/watch?v=kZm9TbKvaDk

    220px-Candy_performing_at_LA_Pride_2017.jpg

  • It’s still hard and the world is a completely different place with loss of this size.

    We were so close growing up and then were reconnecting again after I left the U.S. and traveled the world for seven years in attempt to make new home. I’d made the circle. I was coming home. And I wanted to be close to Aaron. And then suddenly within two years he was gone. An overdose. He was doing well getting clean but then there was that last fatal shoot up.

    That’s the story.

    What does it mean?

    I got the call while living in crap flat in North London with black mould that wouldn’t leave etc. My sister Shantell called from the U.S. I got descriptions of how my step dad found him on the floor the next morning when he was picking him up for work. Near the door. Swollen and blue.

    I didn’t want to think of him suffering. The door was locked so he could shoot up in private. Was he trying to get to the door? Why didn’t I call him when I was in London. What could I have said?

    And then, like anyone who has experienced loss of someone very close, there was anger and frustration. Why were people laughing outside? Don’t they know my brother died? And then looking at people around me and getting angry that they were alive and my brother was not alive. And then wondering what I could have done to help.

    I ran away because I needed space to sort out a lot of fucked up shit. And Aaron was now the eldest when I left. And all that shit now fell on him because I had to get out of there.

    He was 13 when I left. The same age when the shit fell heavy on me.

    And then the reuniting after close call with death and heroin and he was clean and exercising and hopeful and I was hopeful too because the turmoil of family life I grew up was more calm and peaceful overall.

    And me and Aaron and my brothers Luke and Spencer reconnected. And I felt a place. More reconciled. To what? For what?

    I dream of Aaron often. He was the link to my childhood and my adulthood.

    I have a tattoo in my right forearm that means NOTHING in Chinese. It reminds me to remember emptiness is form and form is emptiness.

    What does that mean?

    I thought I knew what it meant.

    All this mass suffering in millions of ways with billions of people. Drown it out. See it. Turn it over and over and see it.

    Life is shit. But sometimes beautiful. But a lot of shit.

    And what’s the point of any of it! There is no point. Happiness?

    I write because there is no other way. Fuck all this university bullshit careerism and little well made word artefacts. Or all those people plugged into their upper middle class art worlds and their biggest worry if they can have as much money as another artist to make their big art project NOT if they have a place to live or food to eat. Not survival. Or worrying about why male artists receive more recognition than female artists. They are in a completely different world.

    But that’s OK. Who wants to be in survival mode all the time.

    Do I want to be in their world?

    I guess I want them to see their huge privilege. Female as well as male.

    What happened to male rape? It’s embarrassing. It’s not talked about. Men worn down by a system that pushes success and bringing home money etc etc.

    yes your privilege makes your privilege invisible.

    Male and female.

    I saw my whiteness as a minority in a mostly African American high school.

    I saw the shit my mum went through as a woman growing up.

    I am now finally recognising the shit that working class men go through too. The working men I have seen and avoided most of my life to get away. To be in some other world.

    I hope I remember the world I came from. I hope I can see how my worries shift. I hope I can see the difference!

    And it’s relative. Of course.

    I think I am moving up. I maybe made closer to £20,000 this last year. £1,400 a month after taxes.

    I am 40. I have been working since age 14. I have put myself through 8 years of university. And so on. Am I poor? No. I live a simple life. Am I middle class? I might be middle class. What is middle class? Is it a state of mind or how much money is in the bank? I have a university degree and teach university on a fractional/adjunct contract. I am middle class.

    My brother’s truck was repossesed shortly before he died. In Utah, in a small town, that means something much different than not having a vehicle in the UK. He rode his bicycle to pick up groceries for his girlfriend and step son. He picked up scrap metal and worked on hot roofs with my step dad fixing air conditioners. He was constantly in debt to the state of Utah for fees and penalties for his drug use. He was in survival mode all the time. Food and bills and survival and trying to make good with his step son and girlfriend who was a heavy heroin user in past as well.

    It all fell apart.

    He got a haircut on the day he died. He had a good day. He finally got a few hundred dollars in his bank account and called my mum happy.

    I live in an estate. Canary Wharf is down the road. And it is a completely different world. Shopping malls. Status. Power. Morgan Stanley. HSBC. Yadda yadda.

    Elsewhere my money means a shitload. In London it is not enough to live with hipster cool art students in “cool” areas of East London.

    I am lucky. I am privileged.

    It’s easy to forget.

    It depends how you measure your life. Who or what you compare it to?

    This goes for race gender class and all other forms of privilege. All other causes.

    There are homeless.

    There are . . .

    Class is left out of Feminism too often. It’s acknowledged but not really fully looked at. I mean in public. Where it matters.

    Working class men are sometimes prostitutes. Their body worn down and for much less than a female prostitute who uses her body. And these male prostitutes are not acknowledged. They are doing their manly duty. I have seen it most of my life up close. And their wives at home trying to create perfect home.

    Everyone loses!!!

    But that’s only my experience.

    There are lots of particular ways of suffering.

    When I was in university and in many women’s studies classes and some of the rich upper middle class women said thank you for giving up some of your power I was a little mystified. I come from a working class background and the first and only to go to university and where did I fit in this culture?

    I have power. They have power. Who has more power? Why were they so blind about their own power too.

    It was all labeled and fit neatly into little boxes of gender politics.

    I often thought of my self as a woman. I didn’t have the parts but I could never do manly things well. I thought I was gay. I couldn’t walk the right way and people said I need to walk more like a man and less like a girl.

    I could sometimes become aggressive. Did that mean I was a man again?

    I tried to people please all the time. I got social anxiety. Big time anxiety. I down played my own knowledge. I kept humble. What I thought was humble.

    I cried almost every night, or every other night, in my room from age 12-18.

    Did that make me more like a girl again?

    My life was damn hard in many ways but I had pretty boy looks. I looked like a girl as a kid.

    I worked construction. I was a dishwasher. I worked in factories. I worked many many jobs since age 14.

    I was trying to be a man again and square it with my working class background.

    I was no good at it. I worked my ass off to study and go to university. And that was a different world.

    First generation immigrant makes good?

    Nah. Maybe. Nah. Whatever. I don’t fuckin know.

    I teach at a university and get enough money to be OK in London with simple life.  I try to pass as middle class while teaching university. I am passing. But I get anxious. I have to keep remembering it is a big show. A game. A play. Clothes are only a costume. Can you become your costume?

    My voice is simple straight shooting voice.

    But I am university educated.

    I was given fancy words.

    What do I do? How can I fit? How do we all fit?

    I don’t buy much. I don’t own a car or credit card or tv or or or . .

    And that’s good. I like my simple life.

    Everyone wants to simplify things into causes.

    It’s never simple.

    Or it is.

    Suffering is simple. It’s universal. It’s also particular.

    My brother could see his life reflected in Bukowski’s writing. I avoided Bukowski for a long time. And finally for the last six months I have been reading everything. My bother always talked about reading Bukowski. It was the only books he really read in high school. And now after reading so much Bukowski I can see why.

    That raw honesty. Bukowski is ugly. Bukowski is beautiful. And often very very aware of the whole game. Including the game of his public image. Including some of his misogyny. It’s in the writing. It’s not in the public persona so much. It’s all there in the writing.

    I guess I like Bukowski’s writings better than 95% of artful university educated writing. Yes there is some misogyny. But that’s not the whole story. I would take Bukowski’s misogyny over a million well made little stories and poems from male or female writers with their phd in creative writing etc.

    And that’s where I am now. I am not Bukowski. I don’t have that particular life or experience or that particular suffering. But I want that attempt at raw honesty. That includes doubt. Lots of doubt.

    Writing is not a degree. It’s not legitimate. It’s a big zero. An impossibility. Life is an impossibility.

    But here we are. Alive. For now.

    Now what?

    I wanted to make good for my brother. What does that mean? I have to ask myself that a lot while walking tight rope of nihilism.

    Back to existence. Existentialism. And basic Buddhism.

    (Last Christmas I would spend with my brother Aaron. He is on left)

  • Got some poems in the new issue of Ofi Press Magazine from Mexico City.

    Including one for my brother Aaron (“Piper Down”). Tomorrow he will have been gone for 2 years.
    It’s still hard!!!
  • Reading a poem that engages with Hrabal’s Too Loud A Solitude and Closely Watched Trains. Part of my manuscript Play Yr Kardz Right.

    Next month at THE HORSE HOSPITAL. 3rd JULY. COME ON OUT!!

    GREAT LINE UP!!

     


  • Artist Pawel Kuczynski, who is based in Poland, creates thought-provoking art that will give you another way to view this world.
  • “I began writing train poems on the London tube in 2008-2009. I sat there scribbling into notebooks as the train went from one stop to the next.” 

    I’m talkin about train poems & my process for writing Rides on H_ngm_n magazine today:

    http://h-ngm-n.tumblr.com/post/86997117895/this-poem-this-monster-marcus-slease

    It is partly inspired by Ted Berrigan’s Train Rides (picture below).

    Rides is part of my nomadic surrealist project. It is a lifelong writing project.

     

     

  • Sarah Maguire. The co-creator of UPTIGHT.

    www.thisisuptight.com

  • “We are two poets, Sarah Maguire (Bristol) and Marcus Slease (London) that to put it mildly are sick of traditional intellectual, stiff, PHD driven British poetry and feel obligated to do something …anything ….to make a change. “


    CHECK OUT UPTIGHT!

    A NEW POETRY AND ARTS COMMUNITY BASED IN BRISTOL, UK AND LONDON, UK.

    OUR FIRST EVENT IS COMING UP ON THE 4TH JULY 2014. IN BRISTOL, UK. 

    WE WOULD LOVE TO SEE YOU THERE!!

    AWESOME POETRY, AWESOME BANDS, AWESOME ART+POETRY FILMS



  • A READING OF THE FABULOUS RUSSIAN ABSURDIST OBERIU POET ALEXANDER VVEDENSKY’S POEM “THE JOYFUL MAN FRANZ.”


    https://soundcloud.com/marcus-slease/the-joyful-man-franz-by-alexander-vvedensky

    “pussy riot are Vvedensky’s disciples and heirs. . His principle of bad rhythm is our own”


    — Pussy Riot (Nadezhda Tolokonnikova;s closing statement at their trial August 2012)


     

  • RUSSIAN ABSURDISM MEETS RAW EROTICISM SEX POSITIVE PSYCHOANALYTIC FEMINISM ETC. ETC. ETC.

    ZARINA ZABRISKY ROCKS!!!

  • SAW EUGENE OSTASHEVSKY YESTERDAY AT SERPENTINE GALLERY IN LONDON. PIRATES AND PARROTS. BEST READING IN LONG TIME!! RUSSIAN/AMERICAN ABSURDISM!!

    TERRIFIC!

     

     

  • What do we mean by liberation? Spirituality and race gender class and nation.

  • BIG BALLS OF HAPPY ENERGY AND DEVASTATOR BEER.  SPANISH FORK UTAH. DOCKLANDS EAST LONDON. UVF CHILDHOOD. PORTADOWN. EXPANDING UNIVERSE. NOTHINGNESS.

  • Eileen Myles reading in Vilnius. Terrific! Expansive and open and generous. Her confidence is contagious. I think she opens up the space and all the people in that space. So many poetry readings feel closed and sometimes suffocating. We need more open spaces (in body, mind, and spirit). We need more expansive poetry and art. NY School poetry has many expansive places for us. When I returned to London in 2010 it is was NY School poetry that gave me space to breathe and start my life long nomadic writing project. A nomadic surrealism. There are too many straight jackets, including gender. So many boxes we are supposed to tick. I am borderless, transient, a nomad from the milky way. It is the best place to be but not always easy. A nomadic surrealist life project.

     

     https://www.youtube.com/watch?v=In2R_49Zd2o

     

    eileen myles.jpg

     

  • New Poem written this morning. True Grit. HUDD home in North Las Vegas. Then home in Hurricane, Utah. Returning home early from Mormon mission by choice. Disgrace. Trying to understand how to become more manly. The big America dream as immigrants. Samsara meat wheel. And so on . .

    learning to fail better

  • SOME OF MY POEMS FROM MANUSCRIPT TRAIN RIDES. POEMS WRITTEN GOING FORWARDS AND BACKWARDS ON TRAINS IN THE U.K.

    INSPIRED IN PART BY TED BERRIGAN’S TRAIN RIDES.

    CHECK IT OUT IN THE NEW H_NGM_N ISSUE 16.

    http://www.h-ngm-n.com/h_ngm_n-sixteen/marcus-slease.html

     

  • SUPER HAPPY TO GET GRZEGORZ WROBLEWSKI’S NEW BOOK OF POETRY IN ENGLISH.

    IT KICKS ASS!!!

    GET IT OVER HERE FROM


    Červená Barva Press

    http://www.thelostbookshelf.com/cervenabooks.html#Let’s Go Back To The Mainland

  • NEW POEM THINKING ABOUT HRABAL AND TIME LIVING IN POLAND. WRITTEN WED 7TH MAY 2014.

  • Take 9-11. That means something in the United States. The “world changed” after 9-11. Well, do a slight thought experiment. Suppose that on 9-11 the planes had bombed the White House, suppose they’d killed the president, established a military dictatorship, quickly killed thousands, tortured tens of thousands more, set up a major international terror center that was carrying out assassinations, overthrowing governments all over the place, installing other dictatorships, and drove the country into one of the worst depressions in its history and had to call on the state to bail them out. Suppose that had happened? It did happen. On the first 9-11 in 1973. Except we were responsible for it, so it didn’t happen. That’s Allende’s Chile. You can’t imagine the media talking about this.
    —  Noam Chomsky 
  • MY POEM SCHOOL OF FISH IS OVER AT SPORK. YIPPPIEEE . . .

    http://sporkpress.com/

  • Texas Senate Bill 5 (or Texas SB 5), created on June 11, 2013 and discussed during the First Special Session of the Eighty-third Texas Legislature, is a list of measures that add and update abortion regulations in Texas. The controversial bill includes a mandate that a doctor who performs abortions have admitting privileges at a nearby hospital, as well as oversight of women taking abortion-inducing drugs. It was signed into law by Governor Rick Perry on July 18, 2013.
     Laurie Filipelli lives in Austin, TX, where she works as a writing coach. Her first book of poems, Elseplace, was released by Brooklyn Arts Press in 2013.
    CHECK OUT THE POEM IN APT/AFOREMENTIONED PRODUCTIONS.
    TERRIFIC MAG AND PUBLISHER. 
  • NEW POEMS IN WHICH ISSUE 5. A HEALTHY SPRINGING FROM OTHERWISE OVERALL STALE BRITISH POETRY (OR STALE MAGAZINES AND PRESSES OF BRITISH POETRY)

    GOT A POEM ABOUT STRING AND THE UNIVERSE AND MORMON MISSION MEMORIES OF TYING COMPANION TO BED POST TO PREVENT ACCIDENTAL INTERFERING WITH BODY LUST SENSATIONS ETC.

    CHECK IT OUT HERE.

    THANK YOU NIA DAVIES. KEEP MIXING THE GOOD MIX

    http://poemsinwhich.com/2014/04/30/poem-in-which-i-think-about-string/

  • POETRY: MARCUS SLEASE

    MUSIC/SOUND: FIELD RECORDINGS OF CANARY WHARF, 4 TRACKS OF RANDOM TRACKS SELECTED VIA CHANCE METHODS JOHN CAGE STYLE

  • Mighty good poems over at Blood Lotus. It’s Amy King. It’s not hipster irony. I am right there too!!!

    Stacia M. Fleegal on Amy King: 

    “Experts are servants / to those in power who return things to ‘normal.’ Riot on.” could be Amy King’s ars poetica. Other writers might question notions of normalcy, but King wholly rejects them, not with hipster irony, but with the deep disdain of a wound-wise observer who knows she wields the power to distill society’s shortcomings as she sees fit.”


    check it here:




  • Erkembode (DAVID KELLY-MANCAUX) has created a saintly scroll of my poems (a minimalist version of Kerouac’s On the Road).
    Erkembode created the poetry scroll while working the gift shop at the British Museum. He said the till was going crazy spewing out poems instead of numbers for receipts.
    These poems are conversational vernacular poems. A mix of the bop prosody of Kerouac Ginsberg and the expansive and plainspoken NY School poetry of Frank O’ Hara and Eileen Myles.
    But it’s not on the road. It’s in the bathtub and on the train and hanging in my housing estate in east London docklands etc.
    Chris Gutkind got a saintly scroll and hung it across his balcony.
    A waterfall.
    I was very happy to see poems as waterfall. And as receipt scroll.
    They are part of my ongoing Nomadic surrealist life project.
    And also my book in progress Play Yr Kardz Right.

     

     

     

     

     

     

     

     

     

     

     

     

     

  • Belief and Technique for Modern Prose 
    (Jack Kerouac)
    Scribbled secret notebooks, and wild typewritten pages, for yr own joy
    Submissive to everything, open, listening
    Try never get drunk outside yr own house
    Be in love with yr life
    Something that you feel will find its own form
    Be crazy dumbsaint of the mind
    Blow as deep as you want to blow
    Write what you want bottomless from bottom of the mind
    The unspeakable visions of the individual
    No time for poetry but exactly what is
    Visionary tics shivering in the chest
    In tranced fixation dreaming upon object before you
    Remove literary, grammatical and syntactical inhibition
    Like Proust be an old teahead of time
    Telling the true story of the world in interior monolog
    The jewel center of interest is the eye within the eye
    Write in recollection and amazement for yourself
    Work from pithy middle eye out, swimming in language sea
    Accept loss forever
    Believe in the holy contour of life
    Struggle to sketch the flow that already exists intact in mind
    Don’t think of words when you stop but to see picture better
    Keep track of every day the date emblazoned in yr morning
    No fear or shame in the dignity of yr experience, language & knowledge
    Write for the world to read and see yr exact pictures of it
    Bookmovie is the movie in words, the visual American form
    In praise of Character in the Bleak inhuman Loneliness
    Composing wild, undisciplined, pure, coming in from under, crazier the better
    You’re a Genius all the time
    Writer-Director of Earthly movies Sponsored & Angeled in Heaven 



  • except from my novella in progress THE NEW VISION. Inspired by William Burroughs, Jack Kerouac, Eileen Myles, Feminism, psychedelic revolutions, Mormon youth, Utah and much more



  • STARTED A NEW NOVEL OR NOVELLA TODAY. IT’S CALLED THE NEW VISION. UTAH OF THE 90’S. BASED ON A TRUE STORY. HA. AND NOT. FEELIN THE PULL . . OF SOMETHING . .

    SMALL EXCERPT OF FIRST 20 PAGES HERE:


    There was no lake below us anymore. It was all dry lakes and bottle rockets and boy gangs of squeaky clean youth with big beefy blond haired guru leader. Angel did a finger comb and we all followed suit. Fingers through hair and a little lick to make it stick.  Zap all consciousness said Angel. And we nodded our big goofy heads. It was my first time with the synthetic red pill. I had given up on being a vegan save the earth straight edge superstar. I was ready to zap. Roll on into man city and come out a slave. Take your brokenboned churches and mottos and knot wisdom to the grave.


    We just did what came to us from the mighty universe of old lizard brains. No lies said Angel. We are part of the return. Return to what I never knew. But I knew the way forwards offered no hope at all.  Not that I had hope. But I knew I didn’t want to go forwards. The only way was backwards and backwards was one big pregnant mystic mystery. A tap on the shoulder was all it took for that big beefy man to come our way. He mustinta seen a gal in that dry lake bed for at least a week. It was some kind of jamboree. And we were the new jam.


    Alright now? said Angel. I said OK we need to zap again. Lacy was all broken bucket leaking into the sad dry earth. Shirk up your loins I said. And shirk her we did. By the time we were done shirking we had tapped that oil of frozen river boredom and were back to calling a spade a spade. No buckets.  


    * * *
    We harbored no illusions. We took what we could from father guru and remade it in our image. That’s what they say anyway. Remake the world in your own image. What choice do we have? We were sounding our own gongs.

    Lacy was the loose string. Anyone could be a spade. A bucket was of no use. She had to get rid of her bucket consciousness or else. Or else what said Angel. I just shook my shoulders and we rubbed our heads together. We learned that from the monkeys. Rubbing or sucking made everything alright for a while.



  • in his ongoing video art work of “speaking portraits,” poet/artist George Quasha puts an impossible, but unavoidable, question before poets of all kinds and in many places: what is poetry? In response poets let us in on their private space of poetry definition. This intimate view of speaking faces, each filling the screen, shows how different it is for poets/artists to say what poetry or art is than for others (critics, historians, philosophers, viewers). For a particular poet, poetry may not only be an object, a thing historically defined, but something close to the core of one’s life, perhaps even a singular event. Here we gain unique access to its nature in the person speaking.




    //player.vimeo.com/video/4407987?portrait=0&color=8c9496 poetry is [vol. I] from George Quasha on Vimeo.


  • Ewa is making chapbooks for my Victorian toilet bowl reading with Richard Barrett this Tuesday. Drawings by David Kelly-Mancaux. The Chapbook is called IT POPS. Ewa made a chapbook a few years ago with nail varnish for the cover called Balloons. I think there is a theme. http://www.artslav.com/

  • Walking home from that piano bar last night near King’s Cross a spiky haired man and greasy haired woman were crouched over their big eyed dog. The man was peering into the dog’s eyes and saying: “we don’t eat food from the ground. We only eat food from mummy and daddy. Repeat we only eat food from mummy and daddy.”
    Some people really believe their dogs can talk.




  • (scraps from this weeks notebook)

    The giant city awake in the first warm breath of springtime. 5 days till 40th birthday. Moving into part time insomnia. Money worries. I have enough now but what about next month? The month after? What about the summer?

    * * *
    THE PAST- a new movie

    * * *
    I need to update my operating system. A spy among friends. A wolf among men. I’ve had enough now. Oblivion today. Oblivion tomorrow. I’m in ragdoll state of mind. Ash tray state of mind. When is happy? Today is OK but what about tomorrow?

    Happiness = expansive mind

    Are bunny rabbits happy? Are trees happy? Is the wind happy? Is the Metro happy? It bears bad tidings.

    * * *
    I’ve been a people pleaser most of my life. I need to work on my Moon Pie. I’m in pain. I’m suffering.

    Looking for next job? 95,000 jobs. 20, 000 recruiters. Am I a modern invention. What isn’t modern? If I die tomorrow will I be in Bardo?

    * * *
    Splurging on mind. What else is there? An old junket of harmony and grief. A pirate? No a starlet. No a pirate.

    * * *
    The cosmic sublime sounds like a special kind of snail.

    * * *
    Cavities are contagious. Watch who you kiss! Wheat is killing us. Meat is killing us. Gluten is killing us. Eat mostly fruits and veggies. Wheat on the side. FLOSS YR TEETH!

    * * *
    I travel to escape tyranny of little self

    * * *

    Insomnia during week before hitting 40. What is 40? Is it spring energy or anxiety? There is a long german word for the emotion I feel. Eating the dream dust of my youth. As you get older time goes inside you. When you die you just become time. Today I am 40.


  • Most wars are class wars. Send all the sons and daughters of American congress people and then maybe they will think a bit about putting greed before human life!!


    Dani Sandal’s Anti-War poem kicks ass. 

    As Genesis says 

    Each war contains within it the seeds of a fresh war

    Sodden plums and purple hearts. Finger painting of beet juice and bird feathers. Dog Tags are kicked into the skulls of fallen soldiers.Their skulls, the longest lasting fossil of discovery.

    Your breast laden with tarnished Purple Hearts and your mind heavy as sodden plum rotting in the jungle where you buried your own brothers’ bones and carefully kicked silver tags to split skull for the miracle of recovery.” 

    check it out here:


     http://www.camrocpressreview.com/

    and Thin Lizzy over here for background listening soundtrack while reading:

    https://www.youtube.com/watch?v=XsIubn5Pp6s

  • Fantastic interview with Grzegorz Wroblewski by Gilbert Wesley Purdy over here:

    http://www.eclectica.org/v18n2/purdy_wroblewski_interview.html

    Grzegorz is currently in a plane flying to New York for his American tour. Go see him if you are on the East Coast of the U.S.

    A rarity for sure!!

    (painting by Grzegorz Wroblewski: Muzeum 1 Kolyska Cindy)

    Grzegorz Wroblewski and Piotr Gwiazda reading tour events in the U.S. during the month of April:

    Friday, April 4, Poetry and Translation: A Conversation with Grzegorz Wróblewski and Piotr Gwiazda. Columbia University, East Central European Center and Department of Slavic Languages, 4 p.m., International Affairs Building, 420 West 118th Street, Room 1219, New York, New York.

    Sunday, April 6, Cambridge Public Library, 2 p.m., 449 Broadway, Cambridge, Massachusetts.

    Monday, April 7, A Poet, His Translator, and His Paintings: Readings from Kopenhaga. Rhode Island School of Design, Department of Literary Arts & Studies and Division of Liberal Arts, 7 p.m., Chace Center Auditorium, 20 North Main Street, Providence, Rhode Island.

    Tuesday, April 8, University of Massachusetts Amherst, 7:30 p.m. Herter Hall, 161 Presidents Drive, Amherst, Massachusetts.

  • MALANCHOLIA

    Guitar: Amir Hadziahmentovic 

    Text/voice: Grzegorz Wroblewski 

    Drawings: My Life with Ann by Grzegorz Wroblewski

    http://www.youtube.com/watch?v=OKjlYwjnhf8


    (drawing: Grzrgorz Wroblewski’s My Life With Ann)

  • SUPER SUPER HAPPY!! IT IS A GOOD SATURDAY IN EAST LONDON. GOT MY COPY OF ATLAS REVIEW 3. AMONG ABSOLUTELY AMAZING COMPANY. BEST MAG I HAVE SEEN IN A LONG LONG TIME!!! SO MANY GREAT ARTISTS AND POETS!!

    THANK YOU ATLAS REVIEW. YOU WILL BE MY TUBE READING FOR THE NEXT WEEK OR TWO. AND BEYOND.

    YIPPPIEEE!!!

    http://theatlasreview.com/

  • Eating a magic Scone last night with David Kelly-Mancaux in London before poetry reading. The poetry reading was a word pharmacy at Hardy Tree Gallery. It was very interesting.
  • Footsie Index #5

    Richard Barrett

    Marcus Slease

    Richard will be launching his new book ‘Free’ which is published by Blart Books.


    Tuesday 15th April 2014


    STARTS @ 7PM

    Footsie Index #5 is at Artslav http://www.artslav.com/

    Artslav is a restored Victorian public toilet located under the centre of Kennington Cross just by The Doghouse Pub.

    180 Kennington Lane
    London
    SE11 4UZ

    Get there early to get a good spot.


    Pics of the spot here:


    footsy5.jpg

  • powerful story in Raleigh Review. Dani Sandal’s “WHAT REMAINS”

    http://www.raleighreview.org/flash_fiction.html

    Nails age. Memory fades. The power of fuck remains. The longevity of the fuck. The word. The life energy!

    Skulls crack like eggs.


  • BY RUSS WOODS

    AT BLACK CAKE RECORDINGS.

    A NIFTY AUDIO SITE FOR POETRY.

    DIG:

    http://blackcakerecords.bandcamp.com/track/the-birthday-cake-i-made-you

  • BY JACK SPICER.

    BACK IN PRINT.

    AND GORGEOUS OF COURSE!

    I LOVE POOR CLAUDIA. SO HAPPY TO HAVE MY BOOK WITH THIS TERRIFIC PUBLISHER. ONE OF MY ABSOLUTE FAVS

    http://www.poorclaudia.org/books/the-holy-grail/

  • America

    (after Ginsberg)
    America I am putting my pursy lips
    to the wheel
    America go to bed
    dream new dream
    America none of this
    means anything
    America I’ve got
    your booty
    in my laundry bag
    America my potatoes
    are puffy, cloudy, sexy
    America I have
    a queer head a queer
    shoulder a queer toe
    a queer knee
    when are you coming
    to save me
    America will you kneed
    me like
    sour dough
    mountain
    look-out
    America from your offices
    of gloom into
    Britannia offices
    of doom oh
    America I am like you
    a tragic flaw
    on a train
    to nowhere
    where Constitutional
    Ave 
    meets
    lost & hard
    at sea
    America the man
    ain’t coming
    from sky
    America bent down
    withered Promethean
    urge with milk
    & creamy eggs
    America I do not
    rejoice in yr lamb
    the impeachable
    unimpeachable
    government
    smart drone
    dirty bombs
    on & on
    things that can’t be
    and is
    and isn’t
    America
    • If you are in the U.S. and near these cities (NY, MA, RI) then try to catch Grzegorz Wroblewski and Piotr Gwiazda (translator) on their American book tour!!!

    • Grzegorz Wróblewski and Piotr Gwiazda, poet and translator of KOPENHAGA —

      • Friday, April 4, Columbia University, East Central European Center and Department of Slavic Languages, 4 p.m., International Affairs Building, 420 West 118th Street, Room 1219, New York, New York.
      • Sunday, April 6, Cambridge Public Library, 2 p.m., 449 Broadway, Cambridge, Massachusetts.
      • Monday, April 7, Rhode Island School of Design, Department of Literary Arts & Studies and Division of Liberal Arts, 7 p.m., Old Library, 2 College Street, Providence, Rhode Island.
      • Tuesday, April 8, University of Massachusetts Amherst, 7:30 p.m. Herter Hall, 161 Presidents Drive, Amherst, Massachusetts.




  • FROM YUGEN ISSUE 4

    PETER ORLOVSKY’S “SECOND POEM”


    http://www.youtube.com/watch?v=XZstJLgAhy8

  • a reading of Mu (dream) So (Window) on soundcloud. Seoul, South Korea 2006:

    https://soundcloud.com/marcus-slease/mu-dream-so-window

  • GRZEGORZ WROBLEWSKI HAS A NEW PENN SOUND PAGE.
    YIPPIE!!!
    Mp3s of readings from London: 
    Torriano reading series and Enemies project reading at Rich Mix. 
    Also a reading I did of Grzegorz’s poetry set to some basic music I whipped together.
    Check it out:
    Painting:
    Grzegorz Wróblewski The Post-Literate (R)Evolution
  • THE POEMS OF ALFRED STARR HAMILTON.  An American surrealist. A nice discussion here on the internet radio:

    http://www.kcrw.com/media-player/mediaPlayer2.html?type=audio&id=bw140123alfred_starr_hamilto

     

  • I like Shane Christmass.

    Sunday Morning reads:


    I’M NOT FAMILIAR WITH ALLAN GINSBURGH BUT HE LOOKS LIKE HE SMOKES A LOT OF WEED.


    &

    PUBIC HAIR A TANGLE $$$$$$$.


    over at Housefire:




  • CHECK OUT KRZYSZTOF JAWORSKI.

    TERRIFIC POEMS OVER HERE. TRANSLATED BY BANJAMIN PALOFF

    http://bettermagazine.org/004/krzysztofjaworski.html

    Krzysztof Jaworski was born in Kielce, Poland, in 1966, and has written over a dozen books, including Irksome Pleasures: Collected Poems 1988–2008 and, most recently, To the Marrow, an avant-garde novel about his experience with cancer. He remains one of the most provocative poets in Poland today.
    Benjamin Paloff is the author of two collections of poems, And His Orchestra(2015) and The Politics (2011), and has translated several books from Polish, including Lodgings: Selected Poems of Andrzej Sosnowski (2011). He teaches literature and critical theory at theUniversity of Michigan.
  • The title is Schylek.

    A poem from Grzegorz’s first poetry collection Ciamkowatosc zycia (from 1992). 

    Written in Warsaw in the beginning of 80’s punk period.


  • Grzegorz Wroblewski reading from his book Kopenhaga and Piotr Gwiazda reading his English translations. London. Torriano Reading Series. 9th Feb 2014.

    http://www.youtube.com/watch?v=axWyV2Ja3UE&feature=youtu.be



  • As part of the Enemies project (www.weareenemies.com) Wrogowie celebrated contemporary Polish poetry in collaboration with British poetry on February 8th 2014 at the Rich mix arts centre in London. Six pairs of poets premiered original collaborative works specifically for this event. Supported by the Polish Institute and SSEES. Me and Grzegorz presented our ongoing nomadic surrealist projects.

     
     
     
  • poetry “is in the margins, the fray, and the common places too. Some poets may attempt to harness and use the “PoBiz” for personal or professional gain, but it is at their own expense that they fail to grasp that poetry’s power extends far beyond one’s career or notions of fame. Poetry has the potential to undo us. That is its promise and its threat too. Adhere to a western-minded safety, as if this or that prescribed poetry is the only way to art, and you will succumb to a futile capitalist caste system that has no terms for the value poetry offers. It does not recognize poetry’s value—poetry is off its charts.” (Amy King)

    http://www.bostonreview.net/blog/amy-king-threat-level-poetry

    THANK YOU AMY KING!!!


  • What terrifies me in Denmark (the land of Bohr and Kierkegaard, a caring tolerate state, with a high standard of living, etc)? What terrifies me is homo sapiens. Also in Wilanów and other wholly innocent corners of the Earth. What terrifies me is homo sapiens.” (Grzegorz Wroblewski)


    Nice review of Grzegorz Wroblewski’s Kopenhaga in Three Percent (University of Rochester):

    http://www.rochester.edu/College/translation/threepercent/index.php?id=9472

     

  • Wrogowie – Feb sat 8th at the Rich Mix, London

    Wrogowie: February Sat 8th at the Rich Mix Arts Centre:
    7pm doors. Free entry.
    Marcus Slease & Grzegorz Wróblewski
    Joanna Rzadowska & Francesca Lisette
    Ula Chowaniec & Amy Cutler
    Piotr Gwiazda & SJ Fowler
    Adam Zdrodowski & Philip Terry
    + Laura Elliott & Angus Sinclair
    This saturday evening, the Enemies project presents Wrogowie: 5 pairs of poets from Poland & the UK premiering original collaborations, and beginning a year long engagement between contemporary Polish poets & their British peers in collaboration & translation. Featuring Polish poets travelling from America, Denmark and of course, Poland, this should be an exciting beginning to our focus on European poetry during the second year of Enemies. Wrogowie is co-curated by Marcus Slease and generously supported by the Polish Cultural Institute http://www.polishculture.org.uk/ & UCL SSEES http://www.ucl.ac.uk/ssees
    & on the afternoon preceding, Friday Feb 7th at 5pm, another extraordinary event will take place to celebrate Wrogowie as part of the Emigrating Landscape program, curated by Ula Chowaniec. http://emigratinglandscapes.org/events/grzegorz_wroblewski
    The event will feature a poetry reading and discussion with Grzegorz Wróblewski, about Kopenhagathe first comprehensive collection of prose poetry by Grzegorz, one of Poland’s leading contemporary avant garde writers, and his translators, Piotr Gwiazda and Adam Zdrodowski, in the 4th floor Masaryk Senior Common Room, UCL School of Slavonic and East European Studies, 16 Taviton Street, London WC1H 0BW. Not to be missed.
  • Got this in the mail today!!! Big Table issue 1. The Complete contents of the suppressed Winter 1959 Chicago Review. 
    Jack Kerouac, Edward Dahlberg, William S. Burroughs
    And an old newspaper article. Bearding the Beats. Kenneth Tynan, The Observer. Sunday Nov 1st 1959.

  • Paintings by Grzegorz Wroblewski. Poems of Grzegorz Wroblewski translated by Agnieszka Pokojska and Adam Zdrodowski. Reading: Marcus Slease.



    http://www.youtube.com/watch?v=PSv6LAHI0gY

  • A few more observations, haiku, extremely short stories, by Mike Topp
    who lives and works in a large, Eastern metropolis.
    Grzegorz Wroblewski’s Kopenhaga and Mike Topp’s poetry have quiet a lot in common.
    They are both from the Milky Way for one!
    I think their poetry would get along really well together!!

    http://www.scn.org/realpoetik/topp-mike-htm-99.htm

     

  • Grzegorz Wroblewki was part of the bruLion group. 

    He is a punk rock poet. 

    And a warm warm hearted human being too!!!

    Cracovian bruLion (noteBook) in the history of Polish literature of the end of the 20th
    made its name as one of the most important voices of the young generation. The group
    connected with the magazine, which used non-conventional poetic and medial strategy, and
    whose main motivating force was scandal pugnaciously reached the literary Parnassus. In
    a sense bruLion was a subsequent link in the tradition of Polish avant-garde. However, it had its peculiarity as it protested against popular idealisation of literature. “The Wild” (as they soon called themselves) negated the whole literary tradition. They treated official literature (e.g. soc-parnasites) with the same kind of dismay as the opposition literature full of tyrteism, and they negated its inherent paradigm of equation between aesthetics and ethics. Their neoavant- garde poetic art, which shocked critics and readers alike, not so much with the form as with the rejection of classical ideals; models of literature and missionary function of art made them immediately famous. Literary awards, poetic collections and brilliant careers quickly followed favourable reviews of their work.
    It is worth mentioning that the credo of bruLion changed several times. There are three
    periods to be distinguished in its history: the first one from the beginning in 1987 to the half of 1988, when it was a typical journal of “secondary circulation”, and when it imitated Zeszyty Literackie; the second period from autumn 1988 (No 7/8) to 1992 (No 19A and 19B), when the media popularity started and when majority of important texts were published; and the third one since 1994, when the editors moved to Warsaw and the group dissolved, and practically the bruLion formation came to its end.



     

  • Some poems of Grzegorz Wroblewski in the Brooklyn Rail.

    Translated by Piotr Gwiazda.

    They are from Grzegorz’s collection Dwie kobiety nad Atlantykiem – from 2011

    http://intranslation.brooklynrail.org/polish/poetry-by-grzegorz-wroblewski 

    Piotr Gwiazda’s translations of Wróblewski’s poetry have appeared in AGNI Online, Colorado Review, Denver Quarterly, The Nation, and Seneca Review. Gwiazda’s translation of Wróblewski’s book of prose poems Kopenhaga has just been published by Zephyr Press.

    Grzegorz is coming to London at the beginning of Feb. With Piotr Gwiazda and Adam Zdrodowski (two of Grzegorz’s terrific translators and also terrific poets).

    A rare event!!!!

    Kopenhaga via Warsaw via Gdansk via The Milky Way

    Oh yeaaahhh!!

    Save the dates:

    1) Feb 7th 5-7PM at UCL School of Slavonic & East European Studies. A READING AND DISCUSSION OF KOPENHAGA AND POLISH POETRY. I WILL BE READING A FEW POEMS BASED ON EXPERIENCES LIVING IN KATOWICE : http://www.ucl.ac.uk/ssees/research/research-centres/emigrating-landscapes-seminars/emigrating-landscapes-seminars-events-publication/e-migrating-wroblewski-poetry

    2) Feb 8th at the Rich Mix at 7PM. As part of  WROGOWIE – THE ENEMIES PROJECT: POLISH POETRY. British poets in collaboration with some Polish poets. Gonna be a fab night.

    http://www.richmix.org.uk/whats-on/event/wrogowie-the-enemies-project-polish-poetry/ 7PM

    3) Feb 9th at 7.30PM. A reading and celebration of Grzegorz Wroblewski’s Kopenhaga. As well as Polish and English poetry from Piotr Gwiazda and Adam Zdrodowski. The Torriano Reading Series in North London.

    http://www.poetrylibrary.org.uk/events/readings/?id=9851

  • http://blackcakerecords.bandcamp.com/album/park-house

    BY ROBERT DUNCAN GRAY

    Robert Duncan Gray is an English artist currently living and working in Portland, Oregon, which is in the top left corner of America. Rob is the curator and host of A reading. He is currently concerned with painting, writing, drawing, and his R&B noise performance/persona project, COLDGOLDCHAIN. He produces a TV show called FLASHtv and he is always dancing, no matter what. 

    Park House is for lots of people, mostly Granny, Barbara Simmons, Bobbie, who I miss very much. Also, Annie, my little sister, who is very very cool. Also, all my pals at Full Life, which is where I get paid to have fun with my friends.